In the fall of 1948, shortly before the end of the civil war in Greece, six young leftists traveled to Athens, boarded a plane to Thessaloniki, and forced the pilot to fly them to neighboring Yugoslavia, where they would seek political asylum along with other comrades. Their plan went off without a hitch and went down in history as the first hijacking ever.

The assassin of a prominent trade unionist takes a conservative MP hostage, throwing the government into a state of disarray.

An adulterous woman and her lover plot to murder her husband Kostas and make it look like a yachting accident. However, unknown to them, Kostas has hired a private detective to follow them and knows of their plans in advance. A deadly game of double-crossing begins and propels all three of them towards tragedy.

With a title that expresses the connection/disagreement of bios (βίος) = life, and graphi (γραφή) = writing, this film of Rentzis has as a subject “the passage from homo universalis to homo industrialis”. Based on a visual material provided by the collage book of the Basque Chumy Chúmez, the film forms, out of cultural deposits of the industrial era, a novative oneirographic discourse, through the audacious and unprecendeded claim of a combinatorial optimization of collage/montage techno-poetics. Viewing the body as historical ideotype ‘the sublime point of reference, a matrix and a refusal of all signs’, Rentzis, dissects the body of film, makes an inter-parody of historical utopias and certainties and moves between animation and expanded cinema in order to reflect on the broader social, political question of our social coexistence condition, the unity and rupture.

What was this woman? The tragic victim of the SS or the female executioner of the Hitler's camps? What was it all about? A satan or an angel? Why, in peacetime, the old nightmares come back and drift into this shocking adventure of love, hatred and action with an unexpected ending?

"4th century AD and a brilliant craftsman of Dionysus, Timothy, organizes a performance of Euripides' Bacchae, rousing the people against the emperor. Lazarus, the Cappadocian, is sent to suppress the rebellion and arrest the heretic. We are in the years of the total establishment of Christianity, in a climate full of sects, conspiracies, conflicts of power and personal ambitions, in the city of Antioch, which was the last cradle of the Greek education of the Gentiles."

On the morning of the World Cup final, Karamanos, an employee of the Greek Telecommunications Organization (TOE), connects his commander's personal computer to a devilishly complex and explosive device. He threatens to blow up the floor and the satellite dishes above if he is not allowed to appear on the national network 10 minutes before the football match to denounce all the wrongs that plague the lives of Greek citizens and make them victims of a partisan and corrupt state.

Stratos, a marginal figure, carries on his shoulders the freedom and doubts of his generation. Upon leaving prison after serving a five-year sentence, he will seek out those responsible, demanding his share of a theft for which he paid the consequences. It is an extremely dangerous journey, and to reach his destination, he must pass through the dark circles of nighttime illegality. He encounters old "friends" who still want him as a pawn in their game, women with strange identities, and police officers who lead him into a relentless pursuit...

A provincial café owner, Mimis, abandons his village in Chalkidiki and comes to Athens in search of a better life. He pretends to be a tough guy, a know-it-all, and behaves like an “antisocial”. With the help of a friend of his from the army, Aristeidis, he tries to set up his own business. At the same time, he falls in love with a seamstress, Toula, who is the sister of Aristeidis’ wife. Then comes the wedding, the everyday obligations, and Mimis is forced, with great resentment, to work as a waiter to make ends meet. When he get fired, however, his relationship with Nitsa is put to the test.

As a coincidental event unites a publisher and a hospital manager, sinister revelations entangle the couple with the aspiration of an editor-in-chief. Will he unearth the truth? After all, almost everybody has a skeleton in the closet.