Four episodes, four instances from a man’s life covering 25 years, from 1965 in Germany to 1990 in Athens. The episodes seem to be irrelevant to one another, yet they all focus on male powerplay, reveal the self-consciousness and moderation of the protagonist’s idiosyncrasy and depict some special aspects of the Greek male mentality. Probably Nikos Panayotopoulos’ most personal film, covering a substantial period of his generation’s years, “I’m dreaming of my friends” is based on the book by Dimitris Nollas, looks a lot like a “road movie” and features an all-male cast, as if there’s no room for women in it.

Twice-orphaned Jace, a seven-year-old Albanian of Greek origin, witnesses a massacre that wipes out his entire foster family in Argyrokastron, and then falls in the hands of a bunch of ruthless gangsters who "export" children abroad for various profitable reasons (ranging from beggary to organ trade). Jace ends up in Athens, Greece, begging at street corners, exploring the secret horrors of brutal institutions for young offenders or, much later, serving obscure patrons, in an underworld where violent loss seems to be his only destiny. The movie follows Jace's inverted Odyssey in a dark universe of abuse, murder and fear, as he desperately (and silently) seeks for a "family" of his own or, at least, for a sense of belonging

A woman receives a startling phone call from her son, while waiting for him and his girlfriend over for lunch.

It's the last day of the family's vacation. What could go wrong?

At a crossroad in Athens, people of different nationalities, including locals, refugees and tourists come together. Only for a moment.

An old ill man, the young woman who looks after him and his unemployed middle-aged daughter, are tasked with taking God's place, who appears to be absent.

Margarita works as a flight assistant. Her life is divided between travels and the care of her sick father. When he dies, she decides to make a fresh start to her life. She begins a trip to Northern Greece seeking...

A teenage girl, in an every day routine, takes the same old bus from her house to the beach and back again, on her back she carries a small container in which she collects fresh sea water. When she comes back in the house the door closes behind her, leaving us confronted with the closed door. During the movie we will witness this daily route, we wont have a glimpse of what's going on inside the house, not until the last moment.

A teenage girl, in an every day routine, takes the same old bus from her house to the beach and back again, on her back she carries a small container in which she collects fresh sea water. When she comes back in the house the door closes behind her, leaving us confronted with the closed door. During the movie we will witness this daily route, we wont have a glimpse of what's going on inside the house, not until the last moment.

Magdalena Hausen was a German photographer who became known for successfully capturing a photograph of the wind. Today, fifteen years after her disappearance, there are still more questions than answers.