Salvo and Valentino are two happy Sicilian friends, who do not want to work, because they know that if they find a permanent job, their girlfriends will ask them to marry them.

In paradise, a group gathers to discuss why people still act selfishly, even though Jesus sacrificed himself for them 2,000 years ago. As a result, a new Messiah is sent to Earth to address the issue.

Stuck in a seaside town hoping to find the next big influencer, a marketer hatches a dubious plan to turn a mechanic into a social media sensation.

The Ciraulo family lives in the miserable district of Palermo called "Zen". When one of their children dies in a shootout between mafia gangsters they receive compensation and buy a luxury black Volvo. Things go wrong when Trancredi, another son, takes the car out and damages the car door.

In the Sicily of the late 1940s, two brother sculptors, tired of selling madonnas to the local churches, finally realize their dream, and set up a Sicilian production company, thanks to the help of a local bishop. They start producing one box-office failure Z-movie after the other, all with terribly bad local non-pros as actors. Covered in debts, they finally have their great chance, when a local nobleman obsessed by magic decides to invest all his wealth in the making of a movie about Cagliostro, just one year after Orson Welles' Black Magic (1949). They hire a famous American actor (Robert Englund) and start shooting "The Return of Cagliostro".

It's 1943 and World War II is raging in Europe. In New York, Arturo and Flora the daughter of a restaurant owner are in love, but she is promised in marriage to the son of a Mafia boss. There is a way around this, but to be able to marry Flora, Arturo needs to get permission from her father, who lives in a village in Sicily. Arturo doesn't have any money, so the only way he can get to Sicily is to enlist in the U.S. Army, which is preparing for a landing on the island.

Filming on Franco Maresco's film about Carmelo Bene is abruptly halted after yet another on-set accident. Producer Andrea Occhipinti pulls the plug, exasperated by the endless takes and repeated delays. Angered, the director simply disappears. Maresco's friend, Umberto Cantone, attempts to mend the rift by calling witnesses from all those involved in the project, in an investigation that offers an opportunity to retrace the personality and ideas of the most corrosive and apocalyptic auteur in Italian cinema.

Arturo is a lonely, gluttonous, and disillusioned Sicilian real estate agent. His mundane life finally finds its spark through his one true passion: Sicilian pastries. It’s over a tray of cannoli that he meets his soulmate, Flora. She is everything he ever dreamed of—beautiful, witty, and brilliant. To top it off, she’s a pastry chef. However, a divine obstacle stands between them: God. While Flora is a devout, fervent Catholic, Arturo abandoned his faith as a child. Desperate not to lose the woman of his dreams, he decides to "fake it 'til he makes it," pretending to be a man of deep conviction. Guiding Arturo on this chaotic journey toward truth, faith, and Flora’s heart is an unlikely mentor and friend: Pope Francis himself.