A video art on Tony Scott's Spy Game

On a late-summer Sunday in 2011, a female director gathers a team of filmmakers, writers, musicians, artists, critics, and friends in an apartment to recreate a scene from Michael Curtiz's Depression-era drama The Cabin in the Cotton. Over plates of pasta and glasses of red wine, a round robin of non-professional actors take turns performing the same scene, again and again, In different permutations. With a freedom Influenced by pre--Code Hollywood, cameras, phones, and laptops are scattered around & set at almost every possible angle, documenting the action both in front of and behind the camera as it unfolds, from rehearsals to equipment adjustments to the banter between takes. An intimate. playful, and spontaneous look Into the collaborative cinematic process emerges. a snapshot of the filmmaker's perennial struggle to capture fleeting moments before the day (and light) slip away.

A diary-cum-thriller-cum comedy-cum-horror film shot on an iPhone (RIP BlackBerry!) for zero dollars with friends, IN SEARCH OF GLADYS GLOVER was born in the darkness of winter in a post-pandemic 2022 after a fateful 35mm screening of George Cukor’s NYC classic IT SHOULD HAPPEN TO YOU (1954). Indebted to the spirits of Larry Cohen, Anne Charlotte Robertson, and New York City herself, IN SEARCH OF GLADYS GLOVER is a time-shifting journey about the disorienting feeling of being in the city the past few years. It’s a movie for everyone who wakes up each day and continues to put one foot in front of other—laughing often, crying often, watching as many beautiful films and sports games as possible, aimlessly walking the city streets alone, making art, hanging with good friends—but ultimately doesn’t understand what the fuck is going on anymore.

Kinet's Halloween Omnibus feature.

An American director, hired by German television to make a film about 9/11, re-stages a controversial photograph taken along the Brooklyn waterfront soon after the collapse of the World Trade Center.

Interview with the director of "Traveling Light" (2011) about her work as a filmmaker, critic, and programmer.

Video by Gina Telaroli.

The footage in this movie was captured, without any intended purpose, between the years of 2008 and 2023 when the filmmaker visited her childhood home in Mentor, Ohio, a town that sits along the shores of the Great Lake Erie. Shot instinctively, haphazardly, gloriously with whatever devices were on hand, most notably multiple BlackBerry phones and a FUJIFILM X-T200, this kaleidoscopic film (perhaps) seeks to find out what Iris Murdoch meant when she wrote: “Time, like the sea, unties all knots.”

Hi I'm Extra Ultra Super Gal and today I'm helping my friend Jane with issues of period overflow. Come meet my friends!