In a Mexican border town plagued by neglect, corruption, and violence, a frustrated teacher tries an unorthodox new method to break through his students’ apathy and unlock their curiosity, their potential... and perhaps even their genius.

A young man haunted by hereditary psychiatric problems, is convinced that he must carry out something unthinkable.

Alan and his father Alberto flee from the painful loss of his mother. While hiding in a secluded housing unit, Alan discovers hidden messages from his uncle that lead him to believe that his father is a werewolf. His life and his neighbors’ lives are in danger. Alan decides to do something once for all. Destroying the beast does not seem a far-fetched plan in the violent reality he lives day by day.

After a lifetime together, Susana has been abandoned by her husband. She is in denial and holds on to the past. One day, she needs the help of her neighbor, Gloria, a free-spirited woman that she can’t stand. But the friendship that emerges between them awakens Susana's desire to live in the present.

Two brothers, Samuel and Rodrigo, live with their mother in a suburban town. One day the mother, who has mental health problems, disappears leaving nothing behind but a note. David Pablos is a young Mexican filmmaker, born in 1982. His first short film, El mundo al atardecer, was made in 2007. La canción de los niños muertos (2008) was his second short film; he presented his first feature-length film Una frontera, todas las fronteras (2010) at the Berlinale Talent Campus before coming to Venice with his second film, La vida despues, for the 70th Venice International Film Festival.

Vladimir doesn’t know what he is. He has all the money he wants, he is afraid of becoming schizophrenic; he is a vampire, an extraterrestrial, an eccentric millionaire, or all three at the same time. There is no doubt that he is a lady’s man who plays soccer perfectly, who can study the movements of a cabdriver and seduce the most beautiful and intelligent woman he meets.

Filmmaker Sebastian makes the reverse journey from Mexico City that almost all of the inhabitants of the deserted, dusty hamlet La Estancia have made. Searching for inspiration (and a better life?), he comes across the two sole remaining residents: the aged Don Jesús Vallejo and his son Juan Diego. Fascinated by their isolated lives and Juan Diego’s absolute loneliness, Sebastian starts to film. The improbable but intense friendship that arises between them is rudely disrupted when Sebastian goes back to the city - but he promises to return.

A homeless person causes repulsion among people, a child dancer is the laughing stock of others. This is a story of friendship and acceptance despite appearances.

Don Poli, the patriarch of a family embedded in politics, faces the change of party in his state - after a hundred years in power - losing all his privileges. Humiliated and angry, he threatens to disinherit his family and leave to rebuild his life. This forces his children (Kippy, Ramses and Belén) to take extreme measures to ensure their future, causing everything that could go wrong to turn out worse.

In Guita Schyfter’s El águila y el gusano, an intricate plot serves to intersect the destinies of several characters: the owner of a beauty salon in love with “all things Chinese”, a politician with a taste for oration who couldn’t care less about the problems of his country, a political adviser whose counsel is never considered and a shady investigator with a name that nobody seems to recall. The script by Schyfter and Hugo Hiriart, her longtime collaborator and author of the 2013 novel on which the film is based, bristles with finely-crafted, hilarious dialogue.