Based on Ghassan Kanafani's novel, 'Returning to Haifa,' this film, set in 1967, centres on a Palestinian couple who return to the war-torn city to search for their young son Farhan, whom they were forced to abandon when fleeing Zionist acts of terrorism in 1948. Saeed and Atefeh's own house has even been taken over by a Polish Jewish family, who, it transpires, are holding Farhan hostage. It is up to the couple, with the assistance of Farhan's steely grandmother, to find a way to reclaim their lost son. One of the few Iranian films to tackle the Palestinian issue from a historical perspective, this stunning piece of work from Seifollah Daad features meticulous attention to period detail and moving performances.

Based on one of the most famous novels by Syrian novelist Khairy Al-Zahabi, the film tells the story of a woman from a Syrian family who is married but always treated badly by her husband, and is good at embroidery.

In the Syrian deserts of war, a love story blossoms between a young man and a young woman who turn cherries into pens as they write love letters to one another. The couple has to live a national struggle as they witness the Six-Day War and the October War, as war changes the scene around them.

A journey in the world of the little employee Sobhi Halogi, a conservative, conservative woman, occupies the axis of his thinking. He seems to be an object, but we do not reveal his intimacy unless life has given us a special experience with him. Sobhi Halouji is confronted by a girl he encounters by coincidence, but fails to bear the spiritual expenses imposed on him by this relationship. The film reveals and exposes the model of this segment with all its contradictions, motives and aspirations to overcome the bitterness of living and deprivation at all costs, bearing one goal is to climb.