La Scala went all out for its 1986 production of this grandest of grand operas, with a strong cast and, most important for a video recording, a larger-than-life staging. The Triumph Scene in Act II is by no means Aida's only attraction, but it is the part that makes the strongest and most lasting impression and it is the visual and musical climax of this production. Stage director Luca Ronconi brings on a procession to dwarf all processions: looted treasures, heroic statuary, miserable captives struggling under the lash of whip-bearing slave drivers. On par with these visuals is Lorin Maazel's first-class performance of the popular Grand March with the outstanding La Scala chorus and orchestra. In Act III, the contrasting tranquility of the Nile Scene also gets a visual treatment to match the music's qualities.

From the world famous Arena of Verona, an international cast perform one of Puccini's best loved operas. The cruel Princess Turandot, ruler of China, will only wed a prince who can answer correctly her three riddles. Those who fail are executed. Prince Calaf, son of the exiled king of Tartary, falls in love with Turandot as soon as he sets eyes on her, and despite the protestations of his friends and family sets out to pass her test.

This tribute to James Levine, first shown on PBS, was only part of that glorious evening. Here we have the whole performance, up to three hours. I could not stop watching these discs. Let me say this much; Levine has done for the Met, making it the premier opera house in the world, what Karajan did with the Berlin, making it one of the finest orchestras ever. So sit back and enjoy.

Set during the Crusades, the story of Lombardi opens with the rivalry of two brothers -- Arvino and Pagano -- who vie with one another for the love of Viclinda. Pagano attempts to kidnap Viclinda and commit a fratricide, extinguishing Arvino, but succeeds only in murdering his father in error; circumstances force him into exile in the Holy Land. Thus begins a complex and harrowing series of events that will ultimately lead to the reconciliation of both men, followed by the death of one.

Set during the reign of Nebuchadnezzar (Nabucco), King of Babylon, the opera tells the tale of Nabucco's fictitious daughters, Abigaille and Fenena, who are rivals for the love of Ismaele, nephew of the King of Jerusalem.

Live performance from La Scala in Milan. Nabucco was the first production of the theatre's 1986-87 season.