A comedy film about Bidin, a rich man's son that fall in love with Ani. But his mother doesn't approve of his choice as she wants him to marry a daughter of a rich man.

Do, Re and Mi in this sequeal tells the tale of a group of gangsters who are planning to rob a bank. So they use this oppurtunity to con them out of it and capture them at the same time. Many comedic memorable moments are carried out through the movie.

The story evolves around Amran and Rohani who are a couple who have slept together one night in front of Gua Musang. Amran then went off to sail but to cover up the shame he brought Rohani on the outskirt are of the village. On his return he was surprised not to have found Rohani there. He found out soon enough that Halimah killed Rohani because she wanted Amran. As of that Rohani’s spirit haunts Halimah in her dream in a form of a tiger.

Aminah and her step daughter Noraini embark on a journey to seek a better life and to find her long lost sister Siti

Inspired by a Malay legend about two friends whose relationship is tested by conflicting loyalties.

Normah is married to a workaholic painter who is more intent on making money out of his art than showing concern and affect for her. She couldn't care less about his artistic pursuits and spends time dolling herself up. Her beauty catches the eye of Jamal, a car salesman, who pursues her to the neglect of his work, wife and children. Initially reluctant, Normah eventually gives in to Jamal's attention and a heady adulterous affair follows. However, Jamal's wife gets wind of their illicit relationship and he promptly forsakes Normah for the security of his family. Lonesome once more, Normah [the feminist heroine of the film] doesn't take long to lose herself to the thrill of another extramarital fling, this time to a fashionable and showy young man.

Siti Zubaidah is based upon the 19th century poem 'Syair Siti Zubaidah Perang Cina'. It centers on Siti Zubaidah, the wife of Sultan Zainal Abidin, who is left defenseless after her husband is taken hostage by a Chinese empress. She eventually allies herself with Princess Rukia of Yunnan, who had fled her own palace under threats of sexual assault. Taking matters into their own hands, they adopt male identities and lead a military conquest across China to rescue the Sultan. Directed by B. N. Rao and starring Maria Menado, the Cathay production borrowed from both of its niches at the time: the film language and costume styles of Malay cinema and Chinese wuxia films, resulting in an imagined reality fusing both visual cultures. At the core of the myriad garbs, armour, accessories and makeup donned by the characters, the tale chronicles the adoption of transformative identities to overcome adversity, enact justice and revenge.