When his 'liberal' wife dies, middle aged Jang Tae-yeon stays single for the sake of his only child. When he meets Hwang Yu-young, who is in her twenties, by chance, Tae-yeon gets remarried. Yu-young becomes a young housewife enjoying a well-to-do life. However, as the days go by, she grows more disgruntled by the generation gap between her and her husband. Tae-yeon gets more caught up with his friends. When he finds out of his wife's gradual transformation into becoming a 'liberal' wife, he dies from the shock. Yu-young regrets her husband's death and she realizes too late what it means to be a housewife.

Mass starvation and social disorder is the norm in the wake of the Korean War. Hwa-su works as a gofer at a local theater but dreams of owning one day a theater of his own. As an adult, Hwa-su becomes a protege of powerful businessman Sohn Jong-rok and marries his niece thus becoming an heir to Sohn's business. He takes over the Je-il Theater and re-names it Peace Theater. Achieving his childhood dream is the just the beginning for Hwa-su. He ventures into the world of filmmaking. Meanwhile, crime lord Lee Jeong-jae takes Yu Ji-gwang under his wings and partners with Gwak Young-ju to build his own political clout. But when his ardent supporter Lee Gi-boong loses the vice presidential race, Jeong-jae becomes nervous. Hwa-su, now a man with immense wealth and underworld power approaches Jeong-jae and Ji-gwang to form an uneasy alliance and enter the world of rigged elections and corrupt politics.

Two supreme martial artists from Korea and Japan overcome their rivalries and become friends. They are shocked when they finally meet each other's wives as the women look identical and bear the same name.

Hwang Geum-bo asks Emma to leave her husband and run away with him to Japan. When she refuses, he goes alone but it is not long before Emma follows. Together they come up with a plan to cheat a greedy villager out of a great fortune.