Meduzot (the Hebrew word for Jellyfish) tells the story of three very different Israeli women living in Tel Aviv whose intersecting stories weave an unlikely portrait of modern Israeli life. Batya, a catering waitress, takes in a young child apparently abandoned at a local beach. Batya is one of the servers at the wedding reception of Keren, a young bride who breaks her leg in trying to escape from a locked toilet stall, which ruins her chance at a romantic honeymoon in the Caribbean. One of the guests is Joy, a Philippine chore woman attending the event with her employer, and who doesn't speak any Hebrew (she communicates mainly in English), and who is guilt-ridden after having left her young son behind in the Philippines.

Following a weird dream he had, Prosper takes his entire neighborhood to the grave of the Baba Sali in Netivot, but the driver took a wrong turn.

Since the death of her mother, Lisa has been the mother of her three brothers. At night, the only time she has to herself, she writes. When she wins a student scholarship in Jerusalem, she has to face the difficult dilemma: to leave or to remain at home taking care of the problematic family.

Raveh does not only document the past, he documents a future that will never be, and the films that Amrani did not live to create. Researching Amrani's documents, Raveh found several short screenplays, and sought out three directors of Amrani's generation to bring them to life. The short films are interwoven throughout the documentary - "The Boat", directed by Nir Bergman, "Albert and Ronit", directed by Dover Kosashvili, and "Sabbath Eve", directed by Joseph Cedar. The warmth, intensity and drama of family life; issues of Persian ethnicity; tradition and the desire to break away from tradition; the competition and camaraderie of boys and men; the search for love; a persistent spiritual search and a love of the sea - all these are reflected in the brief yet intriguing vignettes, imbuing the film with a sense of Amrani's vision as a filmmaker and how his presence might have influenced the Israeli film scene.

Russian Jewish family immigrates to Israel; even stranger than the air raid is the behavior of their new fellow countrymen.

The film is based on the story "Goldfish" by the famous Israeli writer Etgar Keret, paradoxically combining modernity with fiction and the absurd. His heroes are: a young guy Jonathan, who came up with a documentary project in which he will shoot how ordinary people fantasize about what they would ask for from a goldfish; and a poorly speaking Hebrew immigrant from Russia Sergey, who has a real goldfish and has the last unnamed desire.

Asia is the single mother of 17-year-old Vika. Vika's deteriorating health urges Asia to finally find her voice as a mother and to embrace and cherish their time together.

In a rapidly changing New York of the 1980s, a Russian Jewish teenager wrestles with his identity, faith, and sexuality, all of which seem irreconcilable until he befriends two closeted men in his grandfather's senior housing complex.

A magical realist comedy about Mortality, Mysticism and the metaphysics of facial hair in Hasidic Brooklyn

In 2008 the city of Tel-Aviv sent four refrigerated trucks to Mount Hermon, to bring back with them 60 cubic meters of snow. Early in the morning, the trucks returned to Rabin Square and prepared a white, frosty surprise for the residents. In front of the square, now covered with snow, lives the Dahan family, which is facing eviction on that very same day. The film follows the four truck drivers making their journey from the north, and Hanna, the mother of the family, as she sees her life melting down before her.