Two countries,two languages,two groups of friends. Between black humor and bitter realism the film Pencil Knife Baton composes a tragicomic puzzle about friendship in the paradox world we live in.

Father Isychios decides to create an orphanage to help the residents of his parish. He tries to sell the valuable objects of the church, but when he is in danger of being discovered he changes his plans. He transforms himself into a avenger of the night and robs those who spend their money at bouzouki joints. Soon, he rouses the suspicions of his wife, since his activities require that he stay out late at night.

Captain Angelos and the soldier Memos participate in a group of experienced ELAS's guerrillas. The team assumes the dangerous mission to reach the center of Athens, under the control of the English and the Greek regular army, and blow up the headquarters of the British headquarters located in the hotel of "Great Britain". When after a fight they manage to reach and place the explosives, the order is revoked. Their headquarters were afraid of the consequences of the possible death of British Prime Minister Wilson Churchill, who suddenly arrived in Athens and so the whole business was canceled.

Father Isychios, who is seeing that the faith of his fellow human beings is lost and that the church where he works is emptied of believers, recruits a two-wheeled motorcycle in order to penetrate the youth and catch its pulse, while engaging in various comedic performances. The corresponding pastor of the neighboring church, Father Avgoustos, "steals" the faithful with various tricks. At the same time, Father Isychios himself loses the ultimate goal of his mission, being carried away. from the frantic rhythms of entertainment of modern youth and in general the era of disco and nightclubs.

A typical experimental film, in which a variety of audiovisual techniques are used to create the sense of polymorphic eroticism as developed by European and Mediterranean cinematography of the 20th century. Combining the methods of “animation” and “live action”, this intricate work embodies the idea of an “ars combinatoria”. The structure is loose, with neither a central axis nor a point where everything converges, contributing greatly to the open-ended character of the film, where rhythm is the key element.

The second part of a trilogy which focuses on a young Greek woman in three stages of her life as she recalls leaving her homeland of Constantinople. The trilogy is based on the infamous “Septemvriana” events of 1955 — the worst anti-Greek riots in history.

The occupation of students just before the Panhellenic effervescence inducing s`ena public high school in Piraeus. On the first day of the Panhellenic found dead in the toilets George, with a syringe stuck in the arm. All his friends swear that their informal leader never took drugs. The investigations are difficult and the youth does not show any willingness to cooperate.

While gliding through still photographs and live action, sounds and silence, black and white and color, spoken word and voiceover, the present, the past and the future, a young Greek woman recalls significant events that take place in three different stages of her life in Turkey; stemming from feelings of separation and loss on account of leaving her homeland.