
Acting
Georgia Vasileiadou (Greek: Γεωργία Βασιλειάδου; 1897 – 12 February 1980) was a Greek actress. She appeared in more than forty films from 1930 to 1977. She was born in Athens in the Kypseli area in 1897 into a family of ten children. Her real name was Georgia Athanasiou, but she changed it to Vasiliadou when she decided to pursue singing and acting. She was forced to leave school early to work in a shop and help support her large family, after the sudden death of her father, who was a cavalry officer, after falling from a horse. She made her first artistic appearance in 1923 as a member of the Olympia Theater chorus, in Giuseppe Verdi's Ernani, rather coincidentally when she began her studies at the Gennadius School in 1923 and then appeared in various operas. She worked in major theater groups of the time with Kyveli, Marika Kotopouli, Dimitris Myrat, performing various roles. In the mid-1930s, she decided to stop, after a marriage that was unfortunate. She then met Sofia Vembo, who promised to help her. The man who discovered her and gave her the opportunity to have a great career was Alekos Sakellarios, so at the age of forty-two, Georgia Vassiliadou made a new dynamic start and with her innate talent immediately conquered the audience. Alekos Sakellarios offered her a role in 1939 in The Married Girls, which became the occasion for the beginning of a second, but better known career - this time as a world-loving comedian, the "most beautiful ugly" of Greek cinema, as she was described. Her company Finos Film produced her great successes such as: The Beauty of Athens, The Aunt from Chicago, Clearchos, Marina and the Shorty and many others. She took part in the television series Christ is Crucified Again. In the collections When Actors Sing 1 & 2, Vasiliadou can be heard in the songs "O kyr-Mentios" by Takis Morakis from the film The Treasure of the Retired[3] and "Apokriatiko Gaitanaki". She lived in Maroussi and had a daughter, Fotini Apostolidou, from her first marriage, while in 1945 she married her second husband, Kostas Gambaros, with whom she lived together until her death. In recent times, she suffered from bronchial asthma. Her health deteriorated and she was hospitalized at Evangelismos. She died on 12 February 1980.[5] She was buried two days later, in the presence of a small crowd, at the 1st Cemetery of Athens.

A sculptor dreams about his work coming to life and having various adventures.

4 years after the Nazi occupation in Greece, the Greeks are involved in a Civil War and they are killing each other. Theodoros, a quiet and modest man, disgusted and disappointed, falls asleep and has a nightmare. Hitler is alive and the Nazis strike back with new, more powerful weapons.

In 1821, in Cinema, he records the cinematic representations of the Revolution from the first decades of the 20th century. until the present day. Despite the fact that the Revolution of 1821 constitutes the founding act of the modern Greek state, as a subject matter it is underrepresented in national film production. This is one of the points on which the research looks, which simultaneously examines the periods of concentration of films on the subject of the Revolution or, respectively, the periods of its collective silence. The purpose of the documentary is to study the ideological discourse and the cinematic language of the films with the theme of 1821, in order to highlight the function of the cinema as a carrier of Public History and as a factor in shaping the collective historical consciousness.

The life and action of Laskarina Bouboulina. Captain Lascarina decides to organize the revolution in Spetses and to participate herself, despite her double widowhood. In the struggle for the liberation of Greece, she gives all her property and fighting along with her lads.

Charilaos (Orestis Makris), a retired officer with very strict and conservative principles, raises his four daughters with... military discipline, taking care of their culture, their appearance and their good behavior. Despite all his desire to marry them, he does not leave them anywhere alone, as a result of which no man approaches them. His wife, Efterpi (Eleni Zafiriou), as well as his friend and neighbor Xenophon (Pantelis Zervos), make remarkable efforts to convince him to change his tactics, but he insists on his very conservative behavior. But when the conversation reaches the well-to-do sister of Kalliopis (Georgia Vassiliadou) who has been living in Chicago, USA for years, everything turns upside down. She returns to Athens and undertakes to modernize the general's house, as well as help the four girls (and her nieces) to be rehabilitated.

The rivalry between a professional doctor and a midwife in a small Greek village.

This immensely successful remake of the 1929 foustanella classic was directed by Dinos Dimopoulos and quickly established its stars (Dimitris Papamichael and the beautiful Aliki Vouyouklaki) as the Greek cinema's top box-office draws. The story itself rigidly follows the conventions of its subgenre, although because Greek filmmakers were still churning out foustanellas for decades afterward, it hardly seems more dated than the original. Once again, it tells the tale of Mitros (Titos Vandis), a wealthy herd owner with a foster daughter named Astero (Vouyouklaki) whom he marries off to another herd owner, despite the fact that she and his son Thimios (Papamichael) are desperately in love. The other herd owner dies and Astero loses her mind a bit (although she doesn't wig out quite as spectacularly as Aliki Theodoridou in the silent original), but Mitros finally comes to the right decision and allows the children to marry.

A streetwise guy, according to a will, has to marry an extremely ugly old lady to get the money of the inheritance.So he tries to trick a poor devil into getting married with her.

Theoni finds a strange way to gain some money, in order to pay her bills , by renting rooms in her rickety house.

In a poor neighborhood of Athens, next to the coffee shop of Spyros (Mimis Fotopoulos) is a coffee shop that has gained a great reputation and is preparing to move to Kolonaki as it has made a lot of money by telling the cup. In the same neighborhood is a laundress, Kalliopi (Georgia Vassiliadou), who makes a living by force. One day, after an incident in which a customer (Kostas Mentis) humiliates Kalliopi and Spyros intervenes, he comes up with an idea: for Kalliopi to run the coffee shop, since the other one has left.

