George Fall, on the brink of becoming broker of the year and cementing his reign for a decade, flirts with the limits of legality, committing a fatal error. Ruined, he seeks refuge in Janis, who shuns material possessions, and considers a change of life. However, his excessive greed drives him to create a new investment fund, attracting millions that displeases Lord Norman, an advocate of reasonable capitalism and his own interests.

In a near future, Max and her daughter are selling stolen robots on the black market. When Max loses custody of her daughter following their latest scheme, she must rely on the last robot she took, T-O, who is ready to do anything to help.

Tim claims to have discovered a makeshift camp in the garage and pretends it was set up by a migrant. Alex and Valentine, who understood he was creating a hoax, decide to pretend to believe it.

For her latest project, commissioned by Arte and starring members of the Comédie-Française, Valeria Bruni Tedeschi (A Castle in Italy, Rendez-Vous 2014) shot an idiosyncratic, half-modernized adaptation of one of Chekhov’s greatest, most expansively melancholy plays.

The story of how Norma Jeane Mortenson became Marilyn Monroe (1926-62), a lucid path of self-discovery, from anonymity to stardom: the painful birth of a myth.

During World War I, a home care nurse treats a man who lost one leg on the front lines. A strong bond arises between them and evolves into a passionate love affair.

When his right-hand man and only mate has to go away for a few weeks, Georges - an ageing film star - is given a substitute, Aïssa. The disillusioned actor and the young female security guard forge a special relationship.

A single mother and a married man enter into an affair with the understanding that their relationship is purely sexual. Though they agree the relationship has no future, they find themselves increasingly drawn into each other's company.

On Orthodox Easter Sunday, eleven-year-old Agnes tries to escape dancing with her uncle Yórgos.