Jean-Pierre, a twenty-three-year-old Belgian theater actor, is engaged to a charming seamstress, Anne Jacquemin, who dreams of nothing else but a quiet married life with children. Belonging to a Brussels company, Jean-Pierre wants to experience more and decides to join a stock company that performs in the South of France. There he meets Juliette Allard, a young dancer who is the lookalike of Anne. As beautiful as her, she is more mysterious and fascinating than Anne. Jean-Pierre loves both: will he be able to choose between these two equally appealing women?

Beatrice Wilson, visiting her brother, a British officer in India, is sought in marriage by a native prince. She refuses him and he plots revenge. He incites the Sepoys to mutiny and they set fire to Jack Wilson's home and endeavor to abduct Beatrice. She is defended by her brother, who in the midst of the excitement is taken captive.

TV personality Robert Danvers, an exceedingly vain rotter, seduces young women daily, never staying long with one. He meets his match in Marion, an American, 19, who's available but refuses any romantic illusions.

Hélène Noris, a young Belgian woman from a bourgeois family, is haunted by a past affair with Tamara — now married to her father. Torn between desire and resentment toward Tamara’s conformist life, Hélène feels alienated in the provincial world she inhabits. To boost his social image, her stepfather René invites Parisian director Jean Gerfaud to stage an avant-garde version of Tartuffe. Tamara flirts with him, but Hélène seduces him first. A passionate, destructive affair begins, entangling love, jealousy, and ambition. When the play’s scandalous premiere sparks outrage, Jean marries Hélène, provoking Tamara’s fury. Yet Hélène, restless and defiant, betrays him with a soldier. In rage and humiliation, Jean confronts her in the “red room,” the space that once embodied their love and now their ruin.