Acting
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A con man heading west to search for gold teams up with a pair of scheming brothers along the way. The trio soon find themselves in the middle of a feud between two rival families and two underhanded land developers.
After losing nearly all of an inheritance to taxes, sisters Kay and Barbara Latimer, waitresses at a drive-in restaurant in Texas, scheme to find rich husbands. With the aid of their aunt Susan, the sisters take the last of their money and head to a well-known Miami resort where they soon meet two wealthy young men, Phil and Jeff, who begin a fierce rivalry for Kay, not realizing that Barbara has fallen in love with one of them.
Judge Hardy takes his family to New York City, where Andy quickly falls in love with a socialite. He finds the high society life too expensive, and eventually decides that he liked it better back home.
Two brothers are separated after the death of their father. One grows up to be a politician, while the other gets involved in corruption.
This final Carter film is a lot of fun, with Nick (unwillingly, at first) taking on a ring of Fifth Columnists (since this was filmed before the US entered the war, we're not told the villains are Nazis, but it's pretty clear anyway). Of course, the helpful and persistent Bartholomew is at his side--much to Nick's irritation. To further complicate things--and to make them still funnier--Joyce Compton is along for the ride too, as a delightfully brainless "detective" named Christine Cross.
Edna marries Texan Sam Gladney, operator of a wheat mill. They have a son, who is killed when very young. Edna discovers by chance how the law treats children who are without parents and decides to do something about it. She opens a home for foundlings and orphans and begins to place children in good homes, despite the opposition of "conservative" citizens, who would condemn illegitimate children for being born out of wedlock. Eventually Edna leads a fight in the Texas legislature to remove the stigma of illegitimacy from birth records in that state, while continuing to be an advocate for homeless children.
Spanish coquette Tula Moliana finds herself encumbered with two husbands, and to get a divorce from the first, Senator Wakefield, she engages Jim Blake, the fiancé of Helen, the senator's daughter, to be her correspondent. Jim agrees to help her but finds himself entangled in a web of deceit and has difficulty in making excuses to Helen for the numerous adventures in which he becomes involved, especially when a jealous rival pursuing Tula threatens his life. Matters are cleared up when Helen discovers he has been victimized, and Tula accepts her first husband. This film is lost.
A café in Chicago, 1942. On a rainy night, veteran reporter Homer Howard tells an increasing audience the story of Roxie Hart and the crime she was judged for in 1927.
This MGM Crime Does Not Pay series short looks at the U.S. Department of Immigration's efforts to halt the smuggling of illegal aliens into the country. Desperate immigrants, tired of waiting for legal entry, pay exorbitant fees and risk a grisly death to enter by illegal means.
A son, down and out on liquor, finds redemption.
Not "as in a looking glass" but "as in his own portrait" in a dream does Paul Le Grand, the famous artist, see the lines of dissipation come, one by one, after each successive debauch.
John Manley one day learns to his great sorrow that Caroline Hastings, whom he was going to ask to be his wife, is already betrothed to another.
20 two reels episodic dramatic serial now lost. (1) Liquor and the Law (1915); (2) The Tenement House Evil (1915); (3) The Traction Grab (1915); (4) The Power of the People (1916); (5) Grinding Life Down (1916); (6) The Railroad Monopoly (1916); (7) America Saved from War (1916); (8) Old King Coal (1916); (9) The Insurance Swindlers (1916); (10) The Harbor Transportation Trust (1916); (11) The Illegal Bucket Shops (1916); (12) The Milk Battle (1916); (13) The Powder Trust and the War (1916); (14) The Iron Ring (1916); (15) The Patent Medicine Danger (1916); (16) The Pirates of Finance (1916); (17) Queen of the Prophets (1916); (18) The Hidden City of Crime (1916); (19) The Photo Badger Game (1916); and (20) The Final Conquest (1916).
Resemblance of a society man to a notorious crook forms the basis of this dramatic, thrilling romance. the crook is after the other's jewels and a young girl is searching for an important paper. All three are involved in a Tango which reaches a sensational climax in the death of the other crook.
A play based on a famous English case of a man being executed wrongfully on circumstantial evidence.
A socially-minded drama about a doctor who keeps his fiancée waiting at their engagement party, because a sick child needs help.
At the express wish of her father, Lucy Martin marries Leo Noakes, a stingy man and one twice her age. When they are at church one Sunday a fire breaks out and everybody manages to escape with the exception of Lucy, her husband and her former sweetheart, Walter. While Noakes sinks tremblingly upon the floor, Walter seizes Lucy and brings her to safety. Regardless of his many burns, he dashes back into the roaring flames and drags out old Noakes, But upon investigation it is discovered that he is dead. Even though he had been cruel and harsh to her, Lucy bewails his loss. Some time after the obsequies Lucy succumbs to the wooing of her former sweetheart.
A criminologist and a government agent team up to expose a ring of German spies.
A modern artist named Raphael dreams that he is the ancient Greek sculptor Phidias, who has been commissioned by the wealthy Georgias to carve a number of statues. When Phidias refuses to give up his work, Diogenes appears and suggests that the sculptor ask the statues themselves whom they would prefer as their owner. After coming to life, the statues abandon the sculptor for the rich man. Awakening, Raphael continues his pursuit of the beautiful Marco, a society woman who has posed for him. Marco ultimately spurns his love in favor of a wealthy viscount, however, leaving Raphael to seek happiness with the humble but loving Marie.