Short film.

A cactus-strewn desert becomes the backdrop for this series of filmic stopovers. Great natural beauty clashes with manufactured outdoorsmanship, as a tired body and sluggish mind seek the oblivion of hotel hospitality in an arid region of artistic aspirations. The viewer is introduced to a world of prickly plants and satin-skinned succubi who prowl the alleys of western decay to staple their fig leaflets on the vertical shafts that poke unsheathed at the virgin skies of southern Arizona. The sheaths are administered, and the population prepares for cinematic coupling in a city park earmarked for culture. Enter the masculine caves that spilled forth their glittering guts onto a surface world as desperate for gems as it was for water. Witness this natural spectacle all packaged and delivered in the form of a vacation video, and marvel at the mavens of movie-making as they bombard the public with a cacophony of celluloid under the moonlit, desert sky.

A trip across the bay to Concord yields a harvest of non-fruit-like beings who celebrate a housewarming that simmers with macho machinations and family discord. The mood is upbeat while the company is lowbrow, and coming out of the bushes rather than the woodwork.

A photographer comes to my home to take pictures and gets a lensful. His mouth and his shutter snap away as I aim my finest attributes at his cold and hard equipment.

Another Holiday Diary film from George Kuchar

A portrait of Marion Eaton, film and stage actress, etched with a green thumb and a brown nose.

McGuire constructs a murky black and white soap-opera world of endless, timeless, and placeless limbo, where the characters talk to each other entirely in clichés, bad poetry, and other contrite forms of speech — a short TV show in which nothing is resolved. The video culminates in an absolutely stunning monologue performance by legendary underground film and videomaker George Kuchar.

The Shadow Glass is roughly based on Ewers' 'Student of Prague'. It concerns a young man who, feeling incapable of surmounting the harsh realities of love and life, sends his reflection cut to procure and win for him the object of his desire. Rather than being his servant and slave, the reflection takes over and controls the life of the man. In frustration and anger the man kills his reflection in order to be set free. The reality of the situation is the reality of suicide. The entire film could be interpreted as taking place in a brief second–for as long as it takes pull the trigger.

"A film counterpointing the hard reality of the present with the fantastic actuality or imagining of the idyllic past. This is best realized in the halting transition from the journey through time back to the watery one that evoked." –Ken Kelman

A clarification of the '60s and its plastic society; taking archetypes of the American landscape to deal with the search for human identity and our alienation.