The story revolves around the crazy life of Jordan Baxter, a young man born into money, struggling from the loss of his mother to suicide.

In order to to see his idol, Jimi Hendrix, a twelve year old boy attempts a journey from his Quebec village to Woodstock.

In a style evocative of Fellini at his most surreal, this bizarre French Canadian fantasy follows the romance between a young filmmaker and a bearded lady from a local circus during the 1960s. The story begins in a contemporary theater where a projectionist describes, to movie director Rex Prince, the ghostly spirit that seems to be haunting his film. The story then races backward to the 1960s when a half-mad, idealistic Rex was busily making his first film, a Marxist tract depicting poverty in Montreal. Edouard Dore, a well-connected editor works with him and it is he who takes Rex to a carnival late one night to meet the performers in a freakshow. The first person Rex meets is Le Grand Zenon, a hulking one-eyed fellow with the amazing ability to use his eye to project movie images on a screen with neither a projector nor film.

At the trial of a judge who was found with a prostitute, a list of clients pops up. It contains the names of some very influential judges and politicians. Then, dead bodies and death threats erupt. Jacques is the trial judge and his own life seems to be in danger...

Florence and Nicolas live happily together. Until the sister of Nicolas them points to a contest you get to win the first prize, a wedding with all expenses paid in Niagara Falls. Without thinking twice, decide to marry. Following on from then occur a series of inexplicable events that will make their relationship is complicated by the discovery of the extravagances of his family

Myriam Monette, a not very conformist and slightly whimsical Miss Weatherwoman, is now forty years old, has a new boyfriend and a new mandate at Channel Météo (also called Channel M). On the surface, nothing has changed. In reality, nothing is the same anymore. Like a green lawn on a summer day suddenly covered in snow, Myriam went to bed a confirmed single “adulteen” and woke up in love, living with someone else and undergoing major changes.

In 2001, the government of Quebec announced a new program to issue permits for the construction of private hydroelectric dams at specific sites. Upset, the population took things into their own hands and decided to act. Citizens formed collectives to protect their waterways, among the most beautiful in the province. This documentary follows several artist and citizen groups who led a crusade to force the Québec government to abandon private hydro-electrical production. It is a thorough inquiry on the environmental impact and other repercussions of such projects.

In April 1994, the middle-aged Canadian journalist Bernard Valcourt is making a documentary in Kigali about AIDS. He secretly falls in love for the Tutsi waitress of his hotel Gentille, who is younger than him, in a period of violent racial conflicts. When the genocide of the Tutsis by the Hutus in Rwanda begins, Bernard does not succeed in escaping with Gentille to Canada. When the genocide finishes in July 1994, Bernard returns to the chaotic Kigali seeking out Gentille in the middle of destruction and dead bodies.

Shirley Cooperberg heads a Montreal Jewish family. During her husband's operation, her brood arrives at the hospital — failed writer Eli, neurotic Susan, and successful theatrical producer Edward. An onslaught of one-liners find targets amid sibling rivalries and angst-ridden animosities.

Georges (Grégory Gadebois), teaches school in Montreal – he and wife Emma, (Monia Chokri) have just moved to the countryside. One day, he surprises a young intruder Zack, (Noah Parker), rummaging through his things.