Martha is locked up in a mental hospital by her own husband, who covets her fortune. At some point, however, with the help of her husband's brother, who studied medicine abroad, she escapes and returns home to see her daughter. This creates friction and coldness between the two brothers, resulting in the doctor who showed her genuine affection packing his bags and leaving Greece.

Thomas Karatoulpanis (Dinos Iliopoulos) is a naive employee at a car show in the Thessaloniki International Trade Fair. Because of his modest personality he is constantly criticised by his mother-in-law, his uncle and his boss. The only one who supports him is his wife. But the appearance of a doppelganger who buys extravagant gifts in his name causes a ruckus. Thomas is an amateur singer and participates in the Thessaloniki Song Festival winning the first prize. This is when everyone realises that there are two people who look alike.

Iro Konstantopoulou was thirteen years old when the Germans invaded Greece. Despite her age, however, she got involved with the resistance. When she was arrested for the first time, her rich father managed to set her free, and she fell in love with a young doctor who took care of her injuries following torture. A little before the withdrawal of the Germans, she participated in the blowing up of a train that was transporting ammunition, and she was arrested again, but this time no one could save her. She was executed at the Chaïdari camp, along with forty-nine other prisoners.

In 1821, in Cinema, he records the cinematic representations of the Revolution from the first decades of the 20th century. until the present day. Despite the fact that the Revolution of 1821 constitutes the founding act of the modern Greek state, as a subject matter it is underrepresented in national film production. This is one of the points on which the research looks, which simultaneously examines the periods of concentration of films on the subject of the Revolution or, respectively, the periods of its collective silence. The purpose of the documentary is to study the ideological discourse and the cinematic language of the films with the theme of 1821, in order to highlight the function of the cinema as a carrier of Public History and as a factor in shaping the collective historical consciousness.

Charilaos (Orestis Makris), a retired officer with very strict and conservative principles, raises his four daughters with... military discipline, taking care of their culture, their appearance and their good behavior. Despite all his desire to marry them, he does not leave them anywhere alone, as a result of which no man approaches them. His wife, Efterpi (Eleni Zafiriou), as well as his friend and neighbor Xenophon (Pantelis Zervos), make remarkable efforts to convince him to change his tactics, but he insists on his very conservative behavior. But when the conversation reaches the well-to-do sister of Kalliopis (Georgia Vassiliadou) who has been living in Chicago, USA for years, everything turns upside down. She returns to Athens and undertakes to modernize the general's house, as well as help the four girls (and her nieces) to be rehabilitated.

Two friends and roommates, who face a grave financial problem, try every trick in the book to evade their landlady. Everything will change in their lives when they undertake a secret mission pretending to be detectives.

A bunch of women dominates Kostas Filipou's life. His mother Smaro and his three sisters: married Rika - who wants to take a divorce -, religious Fanouria and Tzela the student. The last two have to get married. There are also the women who work at the women's lingerie business that he runs, many of whom see him as a potential husband, as well as Betty, a colleague deeply in love with him, whose mother pressures her to get married. When Kostas secretly marries Betty, who rents with her mother an apartment above theirs, Smaro decides to find both of them a mate. She suggests to Betty the neighborhood's electrician- but Kostas finds a way to break the match- and to Kostas a young woman from Veroia- but Betty manages to break the match. The revelation of the couple's marriage relieves everyone and the fact that Betty is pregnant brings the desired peace and serenity.

A streetwise guy, according to a will, has to marry an extremely ugly old lady to get the money of the inheritance.So he tries to trick a poor devil into getting married with her.

A young and pretty girl, Violeta, is in love with a kind young artist, Alekos. The feelings are mutual, but the two young people have to face a severe old maid, aunt Pinelopi.