Inventor Joseph-Armand Bombardier and the beginnings of his passion for engineering.

Pierre, a French professor of quantum physics, inherits an inn from his aunt Jeanne in the Lac St-Jean region. He arrives with his daughter and settles in the small village of Sainte-Simone-du-Nord, home to just 400 residents. The locals, however, greet these “strangers” with suspicion—especially the village mayor, who once had a falling-out with Jeanne, the Frenchwoman. He manages to rally the townspeople to make life difficult for these newcomers from across the Atlantic. Yet Pierre’s good humor is unshakable, and he refuses to be discouraged—even without electricity, heat, water, or a car.

After the sudden death of her mother, Aurore Gagnon is abused by her disturbed step-mother as her town remains in the silence followed by her death. Based on a true story.

The relationship between lovers Yves and Claude comes to an abrupt conclusion when, as the couple are making love, Yves slices Claude's throat, killing him. After being taken into custody for his crime, the police inspector demands to know the reason behind Yves' actions. Yves then weaves the tale of his life with Claude, explaining the origins of their relationship and how it reached a point where murder was the only possible conclusion.

Marcel and Joseph are tireless walkers. Their itinerary is an invitation to discover improbable places and fascinating people. Everlastingly looking for Stanley, Marcel’s only friend, they meet an unlikely crowd of extravagant characters. Each has a story to tell, his hope to share.

Max leads a good life with Alice and their son Théo; that is until Alice is threatened with death while waiting for a heart transplant. Max promises Théo that he will save Alice, but to keep his word he must find a heart, and fast. Since time is running out and he must find a solution, Max decides to reconnect with his troubled past. His decision will change his life in ways he could never imagine

Set in the Faubourg à mélasse district of Montreal, Quebec, in the 1950s, the film centres on a conflict between the Roman Catholic Church and a young team of baseball players.

When Madeleine is diagnosed with Alzheimers, she makes two important decisions. One is to keep it from her family. The other is to revisit her beloved Gaspésie and relive, for one last time, the memories this evokes. Encountering Zoë, an emotionally disturbed young musician, Madeleine asks her to be her driver for the trip.

In a style evocative of Fellini at his most surreal, this bizarre French Canadian fantasy follows the romance between a young filmmaker and a bearded lady from a local circus during the 1960s. The story begins in a contemporary theater where a projectionist describes, to movie director Rex Prince, the ghostly spirit that seems to be haunting his film. The story then races backward to the 1960s when a half-mad, idealistic Rex was busily making his first film, a Marxist tract depicting poverty in Montreal. Edouard Dore, a well-connected editor works with him and it is he who takes Rex to a carnival late one night to meet the performers in a freakshow. The first person Rex meets is Le Grand Zenon, a hulking one-eyed fellow with the amazing ability to use his eye to project movie images on a screen with neither a projector nor film.

A Montreal man imagines a mermaid in place of the writer whose picture appears on a novel.