Martin, a frustrated lawyer who sells perfumes, is reunited with Robert, an old, bright fellow student, and falls in love with his wife. One night Robert enlists the help of Martin, because he believes he has killed a man who was about her lover. Martin sees an opportunity ...

Hyacinth, a former matador who lives miserably with his nephew Pepote, receives a letter reminding him that, as agreed a few days before, he must participate in a bullfight to be held that same afternoon.

In Madrid during the fifties' the calm life from some neighbors will be changed since the arrival of Antonio, a man without scruples who lives running the risk.

There are nearly three dozen major televised, theatrical and cinematic productions paying homage to this revision of the original tale of Don Juan. Playwright José Zorrilla's work, was first written and published in 1844, and it soon became one of the most popular plays of the 19th Century. Spanish Director Alejando Perla's own 1952 cinematic version is probably the best-known of several films made concerning Zorrilla's take on the exploits of the immortal Don Juan-in just a 15 year period, (starting in 1936). His version stands out because it focuses on why Don Juan Tenorio should repent, after reflecting on a hedonistic life of drinking, followed by his enchantment, seduction and ultimate corruption of the innocent and married women he seduced then callously abandoned all throughout Seville.

Emigre returns to Spain to visit family; reunites with long-lost illegitimate son and rescues his brother-in-law from a gold-digging gigolette.