Since he was 18 years old, Blake Eckard has written and directed six feature length films in his hometown of Stanberry, Missouri (population 1186). Aside from a short distribution deal in Canada and a few festival screenings, his movies have largely gone unseen.

Nash The Slash was deliciously surreal, verging on demented. A mummy wrapped in surgical bandages, an invisible man in full formal white tuxedo and top hat buzz-sawing his violin through endless reams of electronics, melodies and distortion. His music and image were demanding. His life was rock fantasy. ‘NASH THE SLASH RISES AGAIN!’ uncovers the sinister Canadian electronic music innovator. A classically trained violinist and multi-instrumentalist, he created music that was an unlikely combination of prog-rock, punk-rock, classic-rock, psychedelic fused with techno and industrial before they had names. The end result is an unearthly life drenched in film history, enveloped in a wall of sound that would do Phil Spector justice. A career embodied in artistic integrity, courage and the price-tag that comes with it. ‘NASH THE SLASH RISES AGAIN!’ unwinds the bandages of a ground-breaking, mad musical scientist whose career decomposed before the world caught up.