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Documentary about the pedigrees of punk featuring The Boomtown Rats, Sex Pistols, Pretenders, The Clash, The Jam, Madness, Ian Dury & The Blockheads, The Specials, Secret Affair, and many ...
A journey through the BBC's synthpop archives from Roxy Music and Tubeway Army to New Order and Sparks. Turn your Moogs up to 11 as we take a trip back into the 70s and 80s!
Documentary following a generation of post-punk musicians who took the synthesiser from the experimental fringes to the centre of the pop stage.
Music icon Gary Numan performs songs from his latest release, Intruder, as well as a mix of older material in this special live concert event.
40 years after he last played the Wembley Arena, Gary Numan staged the comeback of a lifetime. Follow Numan on his road back to Wembley and follow his turbulent careers, from the crushing lows to the exhilarating highs.
Filmed and recorded at the Hammersmith Odeon, London 11th December 1984. Set-List: We Are Glass Berserker Remind Me To Smile Sister Surprise Music for Chameleons The Iceman Comes Cold Warning This Prison Moon My Dying Machine We Take Mystery (To Bed) This Is New Love
Former pop-star turned con artist Simon Delancey is kidnapped by two fans of his eighties band the Venus Hunters, and blackmailed to re-form the band for one final show.
An independent documentary film about the phenomenal resurgence of the modular synthesizer — exploring the passions, obsessions and dreams of people who have dedicated part of their lives to this esoteric electronic music machine. Inventors, musicians, and enthusiasts are interviewed about their relationship with the modular synthesizer — for many, it's an all-consuming passion.
Recorded live at Hammersmith Odeon, London - September 28, 1979
Music icon Gary Numan performs tracks from his latest album, Savage, along with some of his biggest hits.
In 1976, three curious schoolgirls set out to unravel the mystery of a botched exorcism and untimely death of a young girl.
Steve is an upwardly mobile entrepreneur who believes he has come up with the next big thing - the next Rubik's Cube. "It's going to be bigger than Betamax!". The film covers his journey home from a super successful day at the office where he's all but closed the biggest deal of his life. Just a couple of mobile phone calls on the way home and it's in the bag. However, as he races back to celebrate with his wife and kids, we witness his fall from apparent certain victory to increasing infuriation - everyone's suddenly stopped taking his calls. His anger and desperation boils over when he can't get anyone on the phone....not his secretary, his investors, or his wife. All the while, the Zombie Apocalypse is happening around him; he's just too self absorbed to notice it... until he gets home.
Joy turns to horror when a pregnant mother discovers the nightmarish truth behind her doctor's unexpected success in helping her conceive.
By the end of 1980 I knew that I'd be entering the Ph.D program in the Department of Industrial Engineering and Management Sciences at Northwestern University. In retrospect it's perhaps surprising that I'd satisfied all my course requirements in the Business School at Loyola University Chicago and that two free electives remained. Innumerable interactions with Loyola are to that University's credit: one is that they put no obstacles in my way for transferring elective credits in from courses at the School of the Art Institute of Chicago (SAIC). And so I signed up for Animation I with Byron Grush and Drawing for Animation I with Dennis Wille. I remember being exceedingly nervous when I showed up at SAIC to register and pay for those courses as I had no portfolio, only a (one hopes) coherent verbal explanation of my interest in the subject. The gentleman seated at the film department table signed off on my application. That was my first meeting with Fred Camper