An undercover cop who invade a drug cartel led by a notorious Thai drug lord. In classic heroic bloodshed fashion, the two develop a bond of brotherhood.

A large blast hits the gas pipeline in the industrial park due to a sudden earthquake, which triggers massive explosions and engulfs the neighboring area in flames. Facing the escalating fire danger, the Fire and Rescue Force quickly reaches the hazardous zone to hold the fire and cut a firebreak, in the meantime, many survivors are pulled out of the rubble.

Based on a novel by Gu Long, Frankie Chan's A Warrior's Tragedy details the parallel stories of two warriors: one trained to love, the other to hate, both to be superior swordsman. On one side of this twisty tale of murder and revenge lies the dark and brooding Fu Hung-Suet (Ti Lung). Dressed from head to toe in basic black, Fu wanders from town to town, dispatching his enemies with his impressive ebony sabre. On the other end of the spectrum is the happy-go-lucky Yip Hoi (Frankie Chan), a cheeky, mustachioed fellow who dresses in white and happens to be a proficient martial artist. As one would expect, the two contrasting swordsman are locked on a proverbial collision course with destiny as both are invited to the home of the villainous Ma Hong-Kwan, who has a sinister connection to our heroes.

Lu Zhenxi had a dream since her childhood, to become just like her uncle, a successful entrepreneur. But when her "Big American Dream" comes down crashing, she is left rejected, and returns to China. Now after a fateful meeting with her idol Professor Meng, she must find it in herself to take a second shot.

A dimwitted thief, mistakes for a spy, in order to free himself he holds the honest driver, as a hostage. They end up in a tunnel and traveled back in time. Throughout their travels, they meet figures in the martial arts world including the "God of Sabre" and "Sword Saint."

A cop, a lawyer, and an assassin cross paths after the murder of a federal witness and the kidnapping of a famous pop star.

"Those Were the days" speculates on what would happen if a hot international art house director were transported back in time to the 1960s Hong Kong film industry. Highlights include: WKW meets Wong Jing as a child and profoundly influences career; WKW attempts to make his kind of films with the resources, talent, and expectations of 1960s HK filmmakers, and a lot of other Hong Kong /Wong Jing style zaniness.