A young boy wins a tour through the most magnificent chocolate factory in the world, led by the world's most unusual candy maker.

A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan over thirty years later, where he once again must confront the ghosts and regrets of his old life.

A 6th-century Scandinavian warrior named Beowulf embarks on a mission to slay the man-like ogre, Grendel.

In 19th century France, Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.

Folklore collectors and con artists, Jake and Will Grimm, travel from village to village pretending to protect townsfolk from enchanted creatures and performing exorcisms. However, they are put to the test when they encounter a real magical curse in a haunted forest with real magical beings, requiring genuine courage.

In 1st century BC Palestine, Joseph is a carpenter who wants to travel and see the world, but destiny makes him meet young Mary. The two fall in love and marry. One day, Mary becomes pregnant and tells Joseph an unbelievable truth... He decides to stay on her side, but things won't be easy.

A father and his son who lived seperated for some time meet each other one day and try to talk their problems over and understand their diametrical differences.

Splendor is the name of an old movie theater managed by Jordan (Mastroianni), who inherited it from his father. The theater is in decay and only generates debts and trouble, but Jordan gets aid in his almost quixotian quest from projectionist Luigi (Troisi) and ushurette Chantale (Vlady). However, Jordan is finally forced to sell the Splendor to businessman Lo Fazio (Piperno), which plans to transform it in some kind of furniture store. When Jordan leaves the theater for the last time (the very first scene), he recalls the glorious days of Splendor and movies in general.

"The Family," an album with a velvet cover, is meant to touch the extended family of man. Formal portraits, bookends in this 80-year saga, enclose the central story, which opens with the baptism of Carlo, a baby in his grandfather's lap, and ends with Carlo as a grandfather with a baby in his arms. And never once do we get out of the house, whose rooms provide the film's structure. Comfort or passion? Carlo couldn't really decide until it was too late.

The story of the Cervi family. Rural farmers brought up to be idealogically opposed to fascism during the era of Mussolini's rule of Italy and World War 2.