The merging of reality with legend, the image of reality (Ruthenian Verkhovyna in the 1920s) and its reflection in people's minds - this is what characterizes the story of the modern Transcarpathian bandit Nikola Šuhaj, who "took from the rich and gave to the poor". Ivan Olbracht's novel from the 1930s, one of the artistic peaks of modern Czech prose, is a dramatic story about a war deserter, his love for the beautiful Eržica, a story about revenge for wrongs, persecution, betrayal and death. Šuhaj's fate merged with legends in people's memory. By combining elements of the past and the present, document and myth, the story turned into a ballad about how eternal and strong the human dream of freedom and happiness is.

Caesar is the name of the dog with which a little boy, only seven years old, sets out on a great quest to find his mother. She once gave him the dog before she emigrated. The boy does not agree with his father's intentions to remarry, even though the new mother is supposed to be a sympathetic governess from a children's sanatorium. The film was made at the very end of the former regime, but it was not released until the changed political situation.

Set in Prague during the years leading up to World War II, this family saga tells the story of a cobbler named Vincenc Bursik (Vladimir Mensik), who uproots his clan from the country to the city, only to suffer the loss of his wife and the failure of his shoe business within months. When his daughter moves away to go live with a wealthy businessman as his mistress, Vincenc is left to take care of his two sons, who spend their days in a secret garden vying for the affections of a teenage girl.

The hero of the opening story, the Postman Puppet (directed by Zdeněk Troška), works as a postman in the mountains. When his wife is taken to the maternity ward, he goes on his usual hike through the solitudes. Little Libor goes after the father of two girls (Petr Pospíchal), who longs for a son. Meanwhile, the weather on the ridges worsens sharply. An experienced mountaineer and his little friend spend the night in a makeshift shelter... The second episode of Hádanka (directed by Jan Ekl) has a criminal plot. A new father (Vlastimil Hašek) gets drunk with friends in a wine bar and the next day becomes a suspect in a murder. He doesn't remember the critical moments, but his testimony leads to the capture of the real perpetrator... The main character of the final short story True Love (directed by Vladimír Drha) is a frat boy (Pavel Zedníček) who spends whole days in pubs. He gets a harsh lesson from his wife, who refuses to let him see the baby...

The Slippers of Happiness is another film made by the Slovak Film Production in co-production with West German companies based on classic world fairy tales. After Slovak folk tales [The Greatest Peck in the World, Salt Over Gold] and the works of German fairy tale writers Wilhelm Hauff [The False Prince] and the Brothers Grimm [The Land of the Thrush's Beard, Perinbaba], screenwriter Alex Koenigsmark and director Juraj Herz were inspired by the famous fairy tale by Hans Christian Andersen. It tells the story of slippers that the Fairy of Fortune enchanted so that they would fulfill every human wish and thus bring people happiness. The filmmakers humorously transferred the plot from Copenhagen to old Prague.

Several big-city teenagers are falsely accused of vandalizing a valuable organ, casting light on the hypocrisy of the adult world.

Wild Swine is actually an ironic name for the great search operation of Prague's criminologists, who in a tangle of criminal activity of various kinds were digging around like wild swine before they managed to solve a complicated case. The story takes place in a variety of social spheres, from the Roma people to the world of Prague prostitutes and bakshellers to prominent people.

Nothing seems to disturb Uncle Egon's peace, who lives in his castle under the watchful eye of the strict but fair housekeeper Mrs. Bischlock. The idyll is destroyed by the housekeeper herself, who abruptly resigns because she refuses to live under the same roof as a ghost. And poor Mrs. Bischlock has no idea that the ghost Vasil, who suddenly jumped out of an old Russian domino, now owns almost the entire castle, having won it from Uncle Egon. The already tense situation is exacerbated by the unexpected arrival of Egon's sister Stela with her two daughters – the beautiful Valeria, who is of marriageable age, and the little detective in skirts, Sisinka.