Strap yourself in for an exhilarating journey into darkness with these five award-winning short films from across the globe that delve into heart-pumping escapades varying from the intensely erotic to the ultra-violent to the warm-inside feels. The night has never looked so inviting. Segments: After Dawn [Passée l'aube] (2017), Poof (2018), Spiral (2018), Night of Love (2018), Floating Melon [浮果] (2015).

Ashdod. Summer. Very hot weather. The sea is polluted. One afternoon. Mother. Son. This film is a documentation of a city, of a neighborhood, of a summer- but more than all, of a dismantled internal world of a child. sad and frustrated child.

Ashdod. Summer. Very hot weather. The sea is polluted. One afternoon. Mother. Son. This film is a documentation of a city, of a neighborhood, of a summer- but more than all, of a dismantled internal world of a child. sad and frustrated child.

Ashdod. Summer. Very hot weather. The sea is polluted. One afternoon. Mother. Son. This film is a documentation of a city, of a neighborhood, of a summer- but more than all, of a dismantled internal world of a child. sad and frustrated child.

Ashdod. Summer. Very hot weather. The sea is polluted. One afternoon. Mother. Son. This film is a documentation of a city, of a neighborhood, of a summer- but more than all, of a dismantled internal world of a child. sad and frustrated child.

Ashdod. Summer. Very hot weather. The sea is polluted. One afternoon. Mother. Son. This film is a documentation of a city, of a neighborhood, of a summer- but more than all, of a dismantled internal world of a child. sad and frustrated child.

Itzik Zaza is an amateur photographer who makes video portraits of random people he finds in the street and invite them to his place. Today's star is Tuti, a 16 year old street girl who dreams of being an actress. Itzik told her that she's going to be a star of a movie just about her, and she couldn't refuse. During the shooting Tuti doesn't understand what kind of a movie Itzik is making. She stands in his room, and he asks her to talk about herself. "It's like a picture with time" he tells her again and again. Slowly Itzik's questions become more and more invasive, and Tuti is starting to feel uncomfortable. She wants to leave, but Itzik is convincing her to stay while he shoots both of them. "You see, now I'm also in the movie" he tells her and ask if she wants to make a scene of the two of them.

Itzik Zaza is an amateur photographer who makes video portraits of random people he finds in the street and invite them to his place. Today's star is Tuti, a 16 year old street girl who dreams of being an actress. Itzik told her that she's going to be a star of a movie just about her, and she couldn't refuse. During the shooting Tuti doesn't understand what kind of a movie Itzik is making. She stands in his room, and he asks her to talk about herself. "It's like a picture with time" he tells her again and again. Slowly Itzik's questions become more and more invasive, and Tuti is starting to feel uncomfortable. She wants to leave, but Itzik is convincing her to stay while he shoots both of them. "You see, now I'm also in the movie" he tells her and ask if she wants to make a scene of the two of them.

Ashdod. Summer. Very hot weather. The sea is polluted. One afternoon. Mother. Son. This film is a documentation of a city, of a neighborhood, of a summer- but more than all, of a dismantled internal world of a child. sad and frustrated child.

Itzik Zaza is an amateur photographer who makes video portraits of random people he finds in the street and invite them to his place. Today's star is Tuti, a 16 year old street girl who dreams of being an actress. Itzik told her that she's going to be a star of a movie just about her, and she couldn't refuse. During the shooting Tuti doesn't understand what kind of a movie Itzik is making. She stands in his room, and he asks her to talk about herself. "It's like a picture with time" he tells her again and again. Slowly Itzik's questions become more and more invasive, and Tuti is starting to feel uncomfortable. She wants to leave, but Itzik is convincing her to stay while he shoots both of them. "You see, now I'm also in the movie" he tells her and ask if she wants to make a scene of the two of them.