Father Julio Lancellotti tells the story of Marino, a transmasculine person who lived in the sixth century, in Lebanon, and who, after his death, was canonized as Santa Marina, considered, by progressive sectors of the Catholic church, the protector of gender identity. With scenes, reflections and interactions of a transmasculine group, the film promotes sensitive contemporary discussions about, for example, respect for the social name, resignifying Santa Marina into São Marino.

Retired and facing financial problems, Sara opens a stall to make some cash and get rid of all the belongings she has accumulated throughout her life, making up stories so she doesn't have to take anything back to her lonely home.

While Amanda and Caio, a transgender couple, try to create a home together, they face professional problems, differences of opinion, and external pressures, depicting a journey of love, commitment, and personal discoveries. In this new chapter of their lives, they discover that the plans they made together may no longer make sense.

Through artistic manifestations, a group of LGBTQIA+ people performs public stagings that raise debates on issues of gender, social inequality and prejudice in the streets of downtown São Paulo. Messing with the popular imagination and providing debates, the artists explain their daily struggles to anyone who is interested in acquiring a new perspective on the most subtle layers of intolerance.

Picumã is an action film that follows the journey of three travestis. One of them, Cleo, mysteriously disappears. Lua and Shaiene set out on a search to uncover their friend’s whereabouts. Time is running out, and their success will determine whether Cleo lives or dies.