Eliott, 30, is sent to Alaska for maintenance work on the Trans-Alaska Pipeline, which crosses the state from north to south. Confronted with the grandeur of the wild expanses, Eliott gradually loses his grip. His work-related trip becomes a rite-of-passage adventure, the reason for which might lie closer to madness than he could ever have imagined.

Eliott, 30, is sent to Alaska for maintenance work on the Trans-Alaska Pipeline, which crosses the state from north to south. Confronted with the grandeur of the wild expanses, Eliott gradually loses his grip. His work-related trip becomes a rite-of-passage adventure, the reason for which might lie closer to madness than he could ever have imagined.

Eliott, 30, is sent to Alaska for maintenance work on the Trans-Alaska Pipeline, which crosses the state from north to south. Confronted with the grandeur of the wild expanses, Eliott gradually loses his grip. His work-related trip becomes a rite-of-passage adventure, the reason for which might lie closer to madness than he could ever have imagined.

Eliott, 30, is sent to Alaska for maintenance work on the Trans-Alaska Pipeline, which crosses the state from north to south. Confronted with the grandeur of the wild expanses, Eliott gradually loses his grip. His work-related trip becomes a rite-of-passage adventure, the reason for which might lie closer to madness than he could ever have imagined.

Eliott, 30, is sent to Alaska for maintenance work on the Trans-Alaska Pipeline, which crosses the state from north to south. Confronted with the grandeur of the wild expanses, Eliott gradually loses his grip. His work-related trip becomes a rite-of-passage adventure, the reason for which might lie closer to madness than he could ever have imagined.

Rose, a young filmmaker looking for work, embarks on a retraining course to become a farmer. An initiatory tale that questions our relationship with the land, with art, and with the role of the filmmaker as an observer of our world.

Jules Guarneri grew up in Villars, with two adopted siblings, in a chalet haunted by the ghost of his mother who died when he was 20, and where his solitary father still lives; the latter presents him one day with his filmed diary. A cumbersome gift that the “filmographer” uses to make it resonate with his own images, thus forging his own emancipating path towards adulthood.