In the loud city of Tirana, a poor boy from the suburbs falls in love with a problematic girl who comes from a very rich family. A passionate story interwined with the collision of two different social classes.

Albania, 1958. Luana, the daughter of a well respected man in the village, makes friends with Agim, who moved here after his family were banned from the city by the communists. Years later, their childhood friendship turns into teenage love, but without prospects. Luana’s father promised her in marriage to someone else when she was a child. When her father finds out about Luana and Agim’s love, he is furious and immediately arranges for his daughter to be married to the man he chose for her. Luana faces a dilemma: to flee with her lover to Germany, risking being caught by the communists and probably killed, or stay loyal to her family. A poignant love story set in dark times shaped by pressure from old traditions. A deeply human tale about freedom, which is the greatest good even if the price is loneliness.

A comedy known and loved by all, under the interpretation of the most famous actors of the Albanian National Theatre.

The film is based on and develops the subject of a well-known legend of a sacrifice in the Rozafa castle, as a free interpretation of what people have preserved for centuries. Three married brothers decide to sacrifice in the castle the wife of whom will bring the lunch, so that the wall will not collapse once again on the ground.

Tirana Year Zero (Tirana, année zéro), is a 2002 Albanian film that tells the story of a young couple in post-communist Albania, at a time when many Albanians left the country in search for a better life abroad. The protagonist of the movie is Nik, who lives in the capital of Albania, Tirana, along with his mother and father. He is in love with a beautiful girl named Klara, who wants to move to Paris to be a model. Nik makes his living with an old truck that belonged to his father, who is now sick, and seemingly dying. Amidst the criticisms of his mother, the confusion and desperation covering the country, and the desire of his girlfriend to leave, Nik is still unsure whether he wants to leave. The film explores the way Nik handles the events of his life.

A struggling family in Albania, wrestling with tradition, must unite against a mysterious clan's aggressions, leading to a 'blood feud' that is all too familiar in the Balkans.

Silvi's husband dies in an accident. For a period of time, she loses interest in life. However, life goes on, and Silvi recovers. She falls in love with Ardi, but discovers that he is an accomplice in a theft of state property. She is the only witness, so Ardi asks her to stay silent, which leads to Silvi falling into a moral dilemma.

An Albanian TV movie directed by M. Shanaj.

Bota (Albanian for “the world”) is a cafe situated on the edge of a vast area of marshland in a remote part of Albania, and it is here that the lives of the protagonists intersect in this compelling debut by Iris Elezi and Thomas Logoreci. The directors skilfully exploit the genius loci of the desolate landscape and, aided by a period score and beguiling long shots, they flawlessly evoke the atmosphere of a place where the past still encroaches upon people’s lives.

According to the law of physical elimination of stray dogs in exchange of a small monetary reward, two middle-aged Albanian ex-hunters, Nikolin and Enver, take a nocturnal journey throughout the city, which is soon interrupted by an unexpected turn of events.