Necip Sarıcı is one of the shining lights of our cinema. Sound engineer, photographer, writer, producer, collector, who felt as if he entered the treasure room of Topkapı Palace when he entered the sound room at Lale Film Studio...He is one of the most important building blocks of our cinema. The history of cinema in our country is carried to the present day thanks to his enormous collection.

Necip Sarıcı is one of the shining lights of our cinema. Sound engineer, photographer, writer, producer, collector, who felt as if he entered the treasure room of Topkapı Palace when he entered the sound room at Lale Film Studio...He is one of the most important building blocks of our cinema. The history of cinema in our country is carried to the present day thanks to his enormous collection.

Abdurrahman Keskiner is one of the big guns of Turkish cinema. In Türkiye's national productions' history, his working method distinguishes him as a producer from the rest. Even though it may seem contradictory at first glance, he never gives up on investing in subtlety. Other producers have not pursued the same hope over and over and invested all of their earnings in shooting films ambitiously after making a loss. Yet, Abdurrahman Keskiner was an exception to this. He took great strides in promoting Türkiye's cinema to the world.

Abdurrahman Keskiner is one of the big guns of Turkish cinema. In Türkiye's national productions' history, his working method distinguishes him as a producer from the rest. Even though it may seem contradictory at first glance, he never gives up on investing in subtlety. Other producers have not pursued the same hope over and over and invested all of their earnings in shooting films ambitiously after making a loss. Yet, Abdurrahman Keskiner was an exception to this. He took great strides in promoting Türkiye's cinema to the world.

During The Feast of the Sacrifice, all family, sons, daughters, granddaughters, relatives gather at the country house of Rıza Gülsoy. Rıza's family celebrates the holiday while they share the good memories, dine, drink, sing, and dance. Horror starts when one of the granddaughters of Rıza the emperor, suddenly disappears.

During The Feast of the Sacrifice, all family, sons, daughters, granddaughters, relatives gather at the country house of Rıza Gülsoy. Rıza's family celebrates the holiday while they share the good memories, dine, drink, sing, and dance. Horror starts when one of the granddaughters of Rıza the emperor, suddenly disappears.

Two sisters whose parents have died are sent to live with their uncle in Bodrum for a short time after their grandmother moves to Canada. A relationship develops between the girls' uncle and their pilates instructor, who has been hired to look after them. The girls want to stay in Bodrum with them instead of going to Canada. The uncle, who had never even considered letting the girls stay there due to his disability, is about to change his mind when he discovers that the woman he loves is hiding something from him. Will the girls stay in Bodrum, or will they be sent to Canada, which they do not want to go to?

13-year-old Fidan learns that she has earned the right to attend the country’s most prestigious high school. However, it is not easy for her to leave behind her father, who has disappeared under the shadow of tragic events, and her little brother, to move to the big city. Fidan finds herself at a crossroads, driven by the spirit of sacrifice so characteristic of the noble women of Anatolia. The decision she makes will shape her future. Should she go to the school her mother has dreamed of for her, one that promises to open the doors to a bright future? This is the story of one sapling among the millions of trees in a land where some of the world’s strongest women have lived and where, despite everything, miracles can still happen.

Our protagonist is an impenitent observer. Having adopted as principle, watching almost everyone and everything and learning every detail, he works at a tobacco warehouse. Even though everyone calls him “Observer,” he is actually a watch guard. In fact, he observes and also uses his observations. But he loses his grip. Because, those who talk about their observations and easily utilise them are not favoured at all. Does a rectangle has three corners or does it have three corners just because one sees three corners while standing at the other corner? Can a rectangle be three-cornered as well?