Vincent, a reckless French boy, travels to Hungary to liquidate the home of a relative he has never seen. In an apartment cluttered with dusty objects and furniture, he is confronted not only with the past of others, but also with his own present.

Vincent, a reckless French boy, travels to Hungary to liquidate the home of a relative he has never seen. In an apartment cluttered with dusty objects and furniture, he is confronted not only with the past of others, but also with his own present.

Vincent, a reckless French boy, travels to Hungary to liquidate the home of a relative he has never seen. In an apartment cluttered with dusty objects and furniture, he is confronted not only with the past of others, but also with his own present.

Áron stands in his life as an average 29-year-old weirdo. He has many contemporary complexes, a fresh university degree, and a recent break up. His parents have to support him financially as he is still a job seeker and while Áron is agonizing on his lost love, he is always interrupted by something; it seems like he’s not the main character in his life.

One woman, one man, one car.

One woman, one man, one car.

One woman, one man, one car.

34 year old Bálint Szentesi does the seemingly superficial job of communication training during the daytime and dutifully spends time with his pregnant wife in the evening. One day, he finds a piece of paper with his handwriting in his basement.