Acting
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In feudal Japan, during a bloody war between clans, two cowardly and greedy peasants, soldiers of a defeated army, stumble upon a mysterious man who guides them to a fortress hidden in the mountains.
Princess Kazu, the daughter of Shogun Ienari, is sent to marry Matsudaira Nobunao, master of Peacock castle in Kozuke province, a domain of 17,000 koku. When the procession carrying her sizable dowry was so large that it was expected to take 30 days to reach the castle the members of the clan were surprised to learn that it contained only her barest essentials! Would her presence create a problem too large for the clan to deal with? And having been trained by Lord Yagyu himself, will her martial skills ruin the marital plans set forth for the couple, or can she be tamed in time for the wedding?
1962 Japanese movie
9th film in the series about Lord Mito
A lost film considered one of Japan's first Tokusatsu films. The effects were done by Fuminori Ohashi, who claims to have been a modeling consultant for Godzilla 1954 (this claim is disputed by modeler Eizo Kaimai and art staff member Shinji Hiruma). The film's synopsis published in the March 1938 issue of Kinema Junpo indicates that the "Kong" featured in this film was not actually a giant monster.
In part two of this silent two-part film, an ape nicknamed King Kong by its master has kidnapped the daughter of a wealthy man as part of a revenge plot by one of his lackeys. The conclusion of the story from Edo ni arawareta Kingu Kongu: Henge no maki (1938).
A nameless ronin, or samurai with no master, enters a small village in feudal Japan where two rival businessmen are struggling for control of the local gambling trade. Taking the name Sanjuro Kuwabatake, the ronin convinces both silk merchant Tazaemon and sake merchant Tokuemon to hire him as a personal bodyguard, then artfully sets in motion a full-scale gang war between the two ambitious and unscrupulous men.
Three competing parties all race against time to track down an elusive creature known only as the Snowman.
Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit's prophecy comes true, Washizu's scheming wife, Asaji, presses him to speed up the rest of the spirit's prophecy by murdering his lord and usurping his place. Director Akira Kurosawa's resetting of William Shakespeare's "Macbeth" in feudal Japan is one of his most acclaimed films.
An American scientist tells two colleagues about the finding of an abominable snowman living in the Japanese alps, where it is worshipped by a remote tribe as a god, and how it was discovered by modern man after it raided a skiers shelter following an avalanche, killing all inside. This is an adaptation of the Japanese film "Jūjin Yuki Otoko" (1955) with added American-made footage, narration, and music.
Obscure French version of the original Godzilla. The film combines elements of the original Toho version and the American King of the Monsters! in a unique assemblage exclusive to the Francophone market. Released by Les Films du Verseau.
Japan is thrown into a panic after several ships are sunk near Odo Island. An expedition to the island led by Dr. Kyohei Yamane soon discover something far more devastating than imagined in the form of a 50 meter tall monster whom the natives call Gojira. Now the monster begins a rampage that threatens to destroy not only Japan, but the rest of the world as well.
During an assignment, foreign correspondent Steve Martin spends a layover in Tokyo and is caught amid the rampage of an unstoppable prehistoric monster the Japanese call 'Godzilla'. The only hope for both Japan and the world lies on a secret weapon, which may prove more destructive than the monster itself.
A re-edited Italian-language dubbed version of the original Godzilla, using as a basis the U.S. version, "Godzilla, King of the Monsters!" (1956), plus WWII newsreel footage and clips from other science fiction films. The re-edited film was then colorized via a process called "Spectrorama 70" consisting of applying various colored gels to the black and white footage. The film's opening and ending also features new music composed by musicians Fabio Frizzi, Franco Bixio, and Vince Tempera (under the pseudonym Magnetic System).
A fishing village is terrorized by a giant whale, and the fishermen are determined to kill it.