Acting
No biography available.
1523. The Protestant theologian Thomas Müntzer is entrusted with the pastorate by the 'Allstedt Council'. On the one hand, he is to open people's minds and hearts to more freedom, and on the other, he is to serve as an ally against the count.
Susanne and Christian get to know each other during a wonderful week in summer - and fall in love. This, however, leads to conflicts: up to now, Susanne has been living with Wolfgang, a biologist. This shared life was harmonious and based on mutual trust. Wolfgang is not only resolute and in full command of social situations; he has also always been the stabilizing force in the relationship. This is precisely why Susanne now feels drawn to the unsettled, unsteady and frivolous Christian, the complete opposite of the calm, well-balanced Wolfgang. And Christian, working as a shift boss on a natural gas derrick, has become more aware of his personal and social responsibilities as a result of loving Susanne.
Friedrich Wilhelm Georg Platow worked for the railways his entire working life. He took up service at the small station of Luege 34 years ago. Now, the line is to be electrified and Platow, who cannot cope with the new technology, has to work on a secondary local line. Georg, his son, a railway worker as well, is to attend a training course, but Georg refuses to go. Then his father comes to a surprising and highly unusual decision. He pretends to be Georg Platow, making himself twenty years younger than he really is and registers for the course.
Alfons lives with his grandparents on a Silesian village farm at the end of WWII. He adores his grandmother, who runs everything after her husband dies. But everything changes after the appearance of a traveling showman in the xenophobic village.
A renowned actor named Otto is the epitome of the problematic but beloved ladies man. Even when drunk he still knows more about filmmaking than does the amateur who is directing him in his latest movie. But what should the unreliable star do when a local actor joins the crew as his understudy? Comic situations arise not only because of the well-known environment, but also from an inclination to authentically capture the various relationships.
Tambari - it's a name of an old boat which children of a small village on a Baltic sea shore got from an old fisherman Luden. But not all the village adults were ready to approve it...
In a backwater town, opera director Andrej Wischnewsky is supposed to put on a production of Mozart's "Don Giovanni".
"Pictures from the late eighties in the GDR on up to the immediate present in the year 2008 in Germany. What has been left over besieges my mind. All these pictures keep reassembling themselves to make up something which they were originally not made for. They are still in motion. They are becoming history." (Thomas Heise)
Volker Koepp returns to the Brandenburg Marches, where many of his films were made. Uckermark describes the coexistence of the various eras using the stories and lives of the local people. They are farmers and returning noblemen, men and women hoping that short-term job-creation schemes will lead to meaningful work, a theatre director whom the Uckermark reminds of the past.
A morality tale from the time of the Saxon Kingdom. The von Siebenthal volunteer fire department has nothing to do. When their local pub is in a very dilapidated state, but the landlord has no money to renovate it, the fire department tries to help out by setting fire to it themselves, but it doesn't quite work. They look for a new object to set fire to, the supposedly empty prison. But there is only one prisoner, who is heroically rescued by Captain Kaden.