
Directing
Frida Liappa (Greek: Φρίντα Λιάππα, Messini, Messinia, February 10, 1948 – Athens, November 28, 1994) was a Greek film director and poet. She studied Philosophy at the University of Athens and cinematography at the London Film School. She was involved in poetry (initially) and directing. A member of the "democratic youth of Lambrakis", she was arrested and imprisoned. She also developed anti-dictatorial action. After some short films, such as Meta forty days (1972), A life in Thymaai na feigeis (1977), which was honored with the 2nd prize at the Thessaloniki Festival and was awarded by the Panhellenic Union of Cinema Critics), Apetaxamin (1980) , presented her first feature film The roads of love are nightly, which won the 1st prize for first-time director at the Thessaloniki Festival. Her works It Was a Quiet Death (1986) and The Years of Great Heat (1992) followed. In January of the same year, the then advisor to the Ministry of Culture, Apostolos Doxiadis, accused her of child abuse during the filming of one of her films, however, the director was acquitted by resolution number 2826/1993 of the Athens Criminal Council. Around the same time, Liappa was diagnosed with a malignant brain tumor, a disease from which she died on November 28, 1994, aged just 46.

Frieda Liappa in this short film casts an alternative gaze on the notion of historicity. Loukia is a teenager currently staying at her cousin’s house in Athens. Unlike her cousin she is timid and quite stressed for the school exam. She studies history. Between the lines of her book the historical events sprung up in a multidimensional way. Liappa transverses the dimensions of the real the imaginary and the symbolic. She invites the viewer to consider the construction of the filmic as well as the historical text. She succeeds in making a film with an open end and to leave room for our own contingent constructions.

In Athens, a radical female journalist and a former stage actor share their lives against the backdrop of the regime change, right after the fall of the military dictatorship and the first legislative elections in 1974.

One woman's lonely search for the truth about her mother's murder.

Martha is unhappy with her life as it is at the moment, and among other issues, she has decided to give up her writing career. Along with that decision comes a need to get away from her husband and from her psychiatrist, with whom she has had more than just a doctor-patient relationship. As Martha travels through a deserted city landscape in a storm, the external world reflects something of her inner turmoil. Flashbacks are interspersed throughout the film to enhance the suspense of Martha's inner and outer journey.

Eirini and Stella are two old maids and sisters who have grown up in the provinces and now live in Athens, in an apartment that looks out onto an open-air cinema. They are almost forty, still virgins and dependent on each other. Their only relative is their cousin Stefanos, with whom they were both in love, but who has been away in Paris for years. When he comes back and visits them, the balance between the two women is upset.

Frieda Liappa in this short film casts an alternative gaze on the notion of historicity. Loukia is a teenager currently staying at her cousin’s house in Athens. Unlike her cousin she is timid and quite stressed for the school exam. She studies history. Between the lines of her book the historical events sprung up in a multidimensional way. Liappa transverses the dimensions of the real the imaginary and the symbolic. She invites the viewer to consider the construction of the filmic as well as the historical text. She succeeds in making a film with an open end and to leave room for our own contingent constructions.

In Athens, a radical female journalist and a former stage actor share their lives against the backdrop of the regime change, right after the fall of the military dictatorship and the first legislative elections in 1974.
The description of a soldier's first leave of absence

One woman's lonely search for the truth about her mother's murder.

Martha is unhappy with her life as it is at the moment, and among other issues, she has decided to give up her writing career. Along with that decision comes a need to get away from her husband and from her psychiatrist, with whom she has had more than just a doctor-patient relationship. As Martha travels through a deserted city landscape in a storm, the external world reflects something of her inner turmoil. Flashbacks are interspersed throughout the film to enhance the suspense of Martha's inner and outer journey.

