
Directing
Fridrik Thor Fridriksson (Icelandic: Friðrik Þór Friðriksson, pronounced [ˈfrɪðrɪk ˈθouːr ˈfrɪðrɪxsɔn]; born 12 May 1954; Reykjavík) is an Icelandic film director and producer. Fridriksson started his film making career with experimental films and documentaries in the early 1980s. In 1987, he founded The Icelandic Film Corporation that became Iceland's most important film production company. The company produces his films and works with other Icelandic directors as well as producers. His international reputation led the company to build a network of internationally well-established co-production partner companies, including Lars von Trier's Zentropa and Francis Ford Coppola's American Zoetrope.

The owner of an Information Technology firm wants to sell his business for profit. The trouble is that when he started his firm he invented a nonexistent company president to hide behind when unpopular steps needed to be taken. When potential purchasers insist on negotiating with the "Boss" face to face the owner has to hire a failed actor to play the part.

The Scandinavian entry in the BFI's Century of Cinema series of documentaries

Lili has left everything behind to travel to the edge of the earth and accomplish her dream, fishing the Northern seas. She persuades Ian, the captain of a trawler by the name of Rebel, to give her a chance and let her join the crew. The only woman on board, they call her Sparrow. Hidden behind a frail appearance is a will of steel, and her courage and determination ultimately win over their respect. Adopted into this world of often unfortunate individuals, Lili will conquer her right to live differently, free.

A feature length documentary shot in Iceland on mediums and the relationship between humans and invisible beings such as elves ghosts, angels, water monsters and extra-terrestrials. The film is a journey to the frontiers of life questioning the scope of our existence. Are we alone in the universe? If life exists in other dimensions, it's worth knowing more.

An elderly couple leave their retirement home to make one last journey back to their home in the Western Fjords.

Two men in their late twenties, Jim and Frank, old friends from childhood, both emaciated and very grunge guys, meet again after many years. Jim, trying hard to get his life back on track, is pulled in to his old habits of drugs and crimes by Frank and his friends from their old neighbourhood. They set out to help Frank's father to brake out of jail who in return finances their "shopping trip" to Amsterdam.

The story of an Icelandic man and his slow descent into madness. Along his journey he meets Dagný, the initial cause of his breakdown. Other people he meets in the asylum have been committed for various reasons, such as signing cheques for Adolf Hitler and, believing themselves to be writing songs for the Beatles and telepathically transmitting to the band.

A Japanese businessman travels to Iceland and has a series of misadventures while venturing to a remote area to perform a traditional burial ritual where his parents died several years back.

A whale-boat is making its final whaling tour of the season. It pursues and catches a whale, and then proceeds home. The men working on the boat have to find themselves different employment now that the season is over. Among the crew are two friends, Grímur and Bubbi. The film mainly concerns itself with their efforts to make some kind of contact with what is going on in Reykjavik.

An elderly couple leave their retirement home to make one last journey back to their home in the Western Fjords.

Sol Jensen, a young Icelandic woman, and Halil Atesh, originally from the countryside in Turkey, meet in Reykjavik and fall passionately in love. Ten years later, Halil becomes an established businessman, while Sol runs a beauty parlor. Their two daughters, Leila and Aysiia, attend a Catholic school despite Halil's Muslim background and much to his grief. The split between him and Sol increases with the growing up of their daughters in a culture that is not his.

Thor and Denni's desperate search for tobacco along the south coast of Iceland during a shortage due to a prolonged strike in the country.

A short film about a young boy's escape from reality, the search for love and security, about cryptic messages from outer space and an invisible friend in the cellar. Based on the director's own memories, this is the story of a young boy's world filled with fantasies and dreams of distant worlds. His eccentric grandmother is his best friend and his partner in the world of the imagination.

Two men in their late twenties, Jim and Frank, old friends from childhood, both emaciated and very grunge guys, meet again after many years. Jim, trying hard to get his life back on track, is pulled in to his old habits of drugs and crimes by Frank and his friends from their old neighbourhood. They set out to help Frank's father to brake out of jail who in return finances their "shopping trip" to Amsterdam.

Rokk í Reykjavík (Rock in Reykjavik) gives a thorough overview of the powerful and expanding rock scene in Iceland. Most of the film consists of performances by a wide variety of rock-groups in various clubs in Reykjavik in 1981-82. There are also interviews with members of the groups representing different views on such features of the rock scene as sex, drugs and politics. 19 groups appear in the film.

Devil's Island is a bitter sweet tale of Iceland in the fifties. Life is rough in Reykjavik's post-war slum of Camp Thule, where the abandoned US military barracks have been turned into makeshift homes. Struggling wives and their hard-working husbands try to make ends meet. The younger generation dreams of dollars, Rock'n'Roll and the American way of life. To celebrate or to drown their misery - they're never short of a good reason to booze. Devil's Island vividly depicts the everyday life of a wacky family, their neighbours and friends and shows how some of their dreams come true and others don't.
