The social contract: the rules we follow - and some don’t. Breaking Social uncovers the pattern of corruption and kleptocracy erasing the social tissue, followed by social uprisings. In Chile a new turn is taken, with young women in the lead.

Juan “Accidentes” Dominguez is on his biggest case ever. On behalf of twelve Nicaraguan banana workers he is tackling Dole Food in a ground-breaking legal battle for their use of a banned pesticide that was known by the company to cause sterility. Can he beat the giant, or will the corporation get away with it?

Juan “Accidentes” Dominguez is on his biggest case ever. On behalf of twelve Nicaraguan banana workers he is tackling Dole Food in a ground-breaking legal battle for their use of a banned pesticide that was known by the company to cause sterility. Can he beat the giant, or will the corporation get away with it?

The conflict between Dole Food Company and Swedish filmmaker Fredrik Gertten unfolds dramatically in the documentary "BIG BOYS GONE BANANAS!" as the corporation attempts to suppress Gertten's earlier film, "BANANAS!"—chronicling Nicaraguan workers' lawsuit against Dole. Initially selected for the 2009 Los Angeles Film Festival, "BANANAS!" was abruptly removed from competition, followed by a negative article in the Los Angeles Business Journal and legal threats from Dole's attorneys. Gertten captures this saga of corporate intimidation, media manipulation, and legal challenges in his documentary, showcasing the struggles documentary filmmakers face and highlighting the threat to freedom of speech posed by powerful corporations protecting their reputations.

The conflict between Dole Food Company and Swedish filmmaker Fredrik Gertten unfolds dramatically in the documentary "BIG BOYS GONE BANANAS!" as the corporation attempts to suppress Gertten's earlier film, "BANANAS!"—chronicling Nicaraguan workers' lawsuit against Dole. Initially selected for the 2009 Los Angeles Film Festival, "BANANAS!" was abruptly removed from competition, followed by a negative article in the Los Angeles Business Journal and legal threats from Dole's attorneys. Gertten captures this saga of corporate intimidation, media manipulation, and legal challenges in his documentary, showcasing the struggles documentary filmmakers face and highlighting the threat to freedom of speech posed by powerful corporations protecting their reputations.

"The blue colour of Malmö FF was dropped into my eyes by an angel when I was born" These are the words used by writer Björn Ranelid to explain the feelings a devoted fan has for his team. This documentary presents the supporters of Malmö FF, who will do anything for their team, whether they win or lose. "True Blue" is a film for anyone, who ever supported a team, be it Malmö FF or any other.

"The blue colour of Malmö FF was dropped into my eyes by an angel when I was born" These are the words used by writer Björn Ranelid to explain the feelings a devoted fan has for his team. This documentary presents the supporters of Malmö FF, who will do anything for their team, whether they win or lose. "True Blue" is a film for anyone, who ever supported a team, be it Malmö FF or any other.

Malmö FF's golden dreams from the mid-1990s have turned into despair and foreboding. In 1999, something happened that had never happened before; the club leaves the Allsvenskan on its own initiative, after having underperformed sportingly for a long time. Many within the association are shocked and paralyzed, but a young promising striker in Zlatan Ibrahimović and a newly appointed sporting director in Hasse Borg become the club's new hope for the future.

George Wilson came to Malmö to dismantle the worlds largest crane. No big deal: "just a piece of steel" he says confidently. Five months and five accidents later George admits it was his worst project ever. The crane driver Paul Mezga came to Malmö as an 18-year-old. 40 years later he is maneuvering the Kockums crane for the last time. A beloved work site does no longer exist. From his kitchen window he sees the crane disappear. A dramatic documentary about two men and the definite end of an era. The Kockums crane was the worlds highest crane. It was built in 1974 during the Kockum yards most successful period. The crane quickly became a pride for the city and a symbol for an aspiring belief in the future. The yard was shut down in the 80s but the crane was still standing there like a remainder of a lost time. Now it has been sold to a yard in South Korea and has to be dismantled in four months. It is a man from Scotland, George Wilson, who is going to lead the project. With great ...

Fredrik Gertten's documentary follows the editoral on the newspaper "Arbetet" during the weeks before it is about to be closed.