In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages ​​from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.

Marcelo leaves his family and moves to Mato Grosso do Sul, where he learns how to fly airplanes by himself watching the pilots. One day, he responds the call of a drug dealer and uses his boss' plane to help the man to transport his cargo. He is hired by the drug lord to work transporting drugs in his airplanes. When he is arrested by the Federal Police, he does not rat his gang and the leader of the cartel gives a large amount of money as a bonus and asks him to leave the gang since he is known by the police. Marcelo uses the money to promote a party in the Carnival of Recife pretending to be the son of the owner of the Gol (a Brazilian air flight company). He lures the high-society, including the television presenter Amaury Jr. Marcelo is arrested again and is sent to prison. During a rebellion, he uses his leadership to present the claims of the prisoners and help to control the situation.

In a hotel room, three gorgeous women and a senator with strange habits.

A series of crimes against redheads scares the people from a little town. After the death of his brother, the 13 year old Alberto decides to investigate what is happening and is helped by the experienced but forgetful Inspector Pimentel.

Four friends are tired of surviving by pulling small scams and running from the police. After a swindle that goes wrong, the quartet formed by Zoinhu, Linguinha, Mãodelo and Alãodelom comes across a robbery that could take them off the streets.