Thomas, the son of a prison warden, falls for Martin, one of the prison inmates. After Martin is released, they try to build a relationship and a life together but, no one will leave them alone.

The clownish security chief of a West German business is obsessed with protecting his factory from fancied and real breaches, especially from groups such as The Red Army Faction. Ferdinand's paranoia and methods can't be contained by his company. The sympathetically-drawn Ferdinand's ludicrous actions recall those of the cynical, disastrous axis between fascism and big business in 1930's Europe: satire of the rise of private security.

Filmed for television, this production adapts Molière’s Dom Juan (or The Feast with the Statue), following the final days of the libertine Dom Juan Tenorio as he seduces, deceives, and provokes those around him. His servant Sganarelle serves as a constant companion and observer, accompanying Dom Juan toward the reckoning implied by the play’s statue motif.