The Emperor's mismanagement of his country is provoking some in his court to plot to overthrow him. He feels successful, at least, when he discovers the legendary Golem, which he believes can protect him and even cure his imaginary illnesses but, when he disappears while on a bender, his kindly baker, who looks just like him, is mistaken for him, and begins to put things in order. However, the conspirators, not to be outdone, determine to bring the Golem back to life to do their bidding.

Vlasta Burian, as a stowaway, disrupts the disciplined operation of a railway station. Mr. Ťopka gives the impression of a gentleman, somewhat Chaplin-like. He makes a living by doing odd jobs, for which he exclusively rides the train as a stowaway. During one of his trips, he meets the feared railway inspector general Kokrhel. At a small station, he manages to get out and change into the stationmaster's uniform. However, he cannot avoid meeting Inspector Kokrhel...

A selfish self-centered widowed ruler, barely tolerated by his subjects and called appropriately enough, 'King Myself, First' asks his three daughters to name the measure of their love for him. When one of them says, "more than salt", he banishes her from the kingdom. Not understanding what she meant the King assumes love can only be measured by precious metals or one's own talent, the 'correct' answers from his other two daughters. The arrogance of the King leads him to gather all the salt in the kingdom and destroy it. Of course, this backfires as he slowly learns the universal value of the substance, and of course, the essence of his daughter's reply. With the help of the wise and magical old 'herb woman', the King also learns what it means to be a true and wise ruler.

Two marriageable girls, Princess Disperanda and her maid Káča, sign a betrothal with their own blood in exchange for fairy-tale grooms. Although both devilish betrothals accidentally fall into the hands of the brave retired soldier Martin Kabát, the cunning devil Solfernus takes possession of them through cunning, and Martin has no choice but to go to the burning hell.

As the world progresses into the industrial age, a professor studying the "nature of pure matter" is spirited away by a would-be dictator and connived into building a super-bomb, as a young reporter and a girl rescued from the sea attempt to warn him of their mutual kidnapper's intentions to dominate the world with a new and more-deadly-yet weapon.

Curious citizens await the arrival of an important guest, the son of poacher, who became famous abroad. Begins celebration in his honor, but nobody knows that instead of the hero arrived cursory prisoner number 1313. He quickly understand how things are and decides to take the opportunity and very quickly gets into a new role.

A comedy based on the novel of Jaroslav Hašek's The Good Soldier Svejk happens during the World War I. I Dutifully Report: In the introduction to the second part of the film adaptation of Hašek's novel The Good Soldier Švějk presents his main character Josef Švejk. With the distinctive traditional Czech cartoon character of a soldier Svejk, this time you meet on the way to the front and eventually right in the firing line. You can look at his famous train events, and also probably the most famous episode of the novel, Švejk's Budějovice anabasis. Don't miss the scene with the secretly bought cognac, the episode with Svejk as a fake Russian prisoner of war, including the court scene, and the scene in which lieutenant Dub is caught in a brothel. Despite the criticism, Steklý's adaptation is undoubtedly the most famous and memorable at present.

Good-natured and garrulous, Schweik becomes the Austrian army's most loyal Czech soldier when he is called up on the outbreak of World War I -- although his bumbling attempts to get to the front serve only to prevent him from reaching it. Playing cards and getting drunk, he uses all his cunning and genial subterfuge to deal with the police, clergy, and officers who chivy him toward battle.

A Milk-Cannery baron, Jakub Simonides, is broken by the Canned Milk-Trust and, in his wanderings with a worker, Filip Kornet, he discovers he still owns a half-finished apartment-house. They rally the workers and complete the building for use as a collectivist dairy. The cooperative flourishes and after a chase/pursuit with the police, pratfalls, slapstick and various crashes, the workers buy out the Milk-Trust.

Vlasta Burian appears in a town of Czarist Russia impersonating an Inspector General, and he is entertained lavishly by the local political-hacks and peasants seeking his favor for whatever they are advocating or need fixed. Burain is involved in a series of comical situations as he takes everything he can gets his hands on while the peasants, who must plead for the betterment of their conditions, are left on the outside-looking-in. He makes his escape just as the real Inspector General is set to appear, but those-in-need will be no better off when the real McCoy shows up then they were with Burian.