
Acting
From Wikipedia, the free encyclopedia. Frank Silvera (July 24, 1914 – June 11, 1970) was an American actor and theatrical director. Silvera was born in Kingston, Jamaica the son of a mixed race Jamaican mother, Gertrude Bell and Spanish Jewish father, Alfred Silvera. His family emigrated to the United States when he was six-years old, settling in Boston. Silvera became interested in acting and began performing in amateur theatrical groups and at church. He graduated from English High School of Boston and then studied at Boston University, followed by the Northeastern Law School. Silvera left Northeastern Law School in 1934, when he was cast in Paul Green's production of Roll Sweet Chariot. He next joined the New England Repertory Theatre where he appeared in productions of MacBeth, Othello and The Emperor Jones. He also worked at Federal Theatre and with the New Hampshire Repertory Theatre. In 1940, Silvera made his Broadway debut in a small role in Big White Fog. His career was interrupted in 1942, when he enlisted in the United States Navy during World War II. He was assigned to Camp Robert Smalls, where he and Owen Dodson were in charge of entertainment. Silvera directed and acted in radio programs and appeared in USO shows. Honorably discharged at the war's end in 1945, he joined the cast of Anna Lucasta and became a member of the Actors Studio. In 1952, Silvera made his film debut in the western, The Cimarron Kid. Because of his strongly Latin appearance, he was cast in a variety of ethnic roles in films and television. He was cast as General Huerta in Viva Zapata! which starred Marlon Brando. Silvera also portrayed the role in the stage production, which opened at the Regent Theatre in New York City on February 28, 1952. He appeared in two films directed by Stanley Kubrick, Fear and Desire (1953) and Killer's Kiss (1955). Silvera made guest appearances in numerous television series, mainly dramas and westerns, including Studio One in Hollywood, Alfred Hitchcock Presents, Bat Masterson, Thriller, Riverboat, The Travels of Jaimie McPheeters, The Untouchables, and Bonanza. In 1962 he portrayed Dr. Koslenko in The Twilight Zone episode "Person or Persons Unknown", opposite Richard Long. That year, he also played Minarii, a Polynesian man in the 1962 film Mutiny on the Bounty, again starring Marlon Brando. In 1963, Silvera was nominated for a Tony Award for Best Actor in a Play for playing Monsieur Duval in The Lady of the Camellias. In 1964, Silvera and Vantile Whitfield founded the Theatre of Being, a Los Angeles-based theatre dedicated to providing black actors with non-stereotypical roles. One of their first projects was producing The Amen Corner by African-American writer James Baldwin. Silvera and Whitfield financed the play themselves and with donations from friends. It opened on March 4, 1964 and would gross $200,000 within the year, moving to Broadway in April 1965. Beah Richards won critical acclaim for her performance as the lead. Silvera was killed on June 11, 1970, after accidentally electrocuting himself while repairing a garbage disposal unit in his kitchen sink. Description above from the Wikipedia article Frank Silvera, licensed under CC-BY-SA, full list of contributors on Wikipedia.

After their airplane crashes behind enemy lines, four soldiers must survive and try to find a way back to their battalion. However, when they come across a local peasant girl the horrors of war quickly become apparent.

Davey Gordon, a New York City boxer at the end of his career, falls for dancer Gloria Price. However, their budding relationship is interrupted by Gloria's violent boss, Vincent Rapallo, who has eyes for Gloria. The two decide to skip town, but before they can, Vincent and his thugs abduct Gloria, and Davey is forced to search for her among the most squalid corners of the city, with his enemy hiding in the shadows.

The story of Mexican revolutionary Emiliano Zapata, who led a rebellion against the corrupt, oppressive dictatorship of president Porfirio Díaz in the early 20th century.

From his birth in Bethlehem to his death and eventual resurrection, the life of Jesus Christ is given the all-star treatment in this epic retelling. Major aspects of Christ's life are touched upon, including the execution of all the newborn males in Egypt by King Herod; Christ's baptism by John the Baptist; and the betrayal by Judas after the Last Supper that eventually leads to Christ's crucifixion and miraculous return.

Old Mexican-American sheriff Bob Valdez has always been a haven of sanity in a land of madmen when it came to defending law and order. But the weapon smuggler Frank Tanner is greedy and impulsive. When Tanner provokes a shooting that causes the death of an innocent man and Valdez asks him to financially compensate the widow, Tanner refuses to do so and severely humiliates Valdez, who will do justice and avenge his honor, no matter what it takes.

When Quintero, a Mexican revolutionary leader, is left to rot in jail by the forces of President Diaz, it's up to his subordinate, Max, to bust him out. With $600 in hand, he crosses the border into America and hires Chris Adams, a mercenary of considerable skill, who uses the rest of the cash on more hired guns. After the team is rounded out by experts on close-combat fighting, explosives, and knife-throwing, they set off to free Quintero.

A man tries to recover a horse stolen from him by a Mexican bandit.
After Caroline Cram finds herself in an analyst's office, she starts groping for the truth about her hopelessness, fears, loneliness and anxieties. A fact and fiction documentary financed by the U. S. Public Health Service and endorsed by the National Association for Mental Health and the National Institute for Mental Health.

Chicago February 14th 1929. Al Capone finally establishes himself as the city's boss of organised crime. In a north-side garage his hoods, dressed as policemen, surprise and mow down with machine-guns the key members of Bugs Moran's rival gang. The film traces the history of the incident, and the lives affected and in some cases ended by it.

Nineteenth century Wyoming: the wild West. Mild-mannered Tom Healy has a two-wagon theater troupe hounded by creditors because Angela, his leading lady and the object of his affection, constantly buys clothes. In Cheyenne, they meet with applause, so they hope to stay awhile: the theater owner likes Angela, and she keeps him on a string. She's also the object of the attentions of Mabry, a gunslinger who's owed money by the richest man in Bonanza.
