Is American foreign policy dominated by the idea of military supremacy? Has the military become too important in American life? Jarecki's shrewd and intelligent polemic would seem to give an affirmative answer to each of these questions.

A Columbia Pictures promotional short which explains how a movie is made.

Frank Capra was one of Hollywood's most popular and respected directors in the 1930s and 1940s. His best-known films include "Isn't Life Beautiful?", "The Bottom Ten Thousand" and "Arsenic and Lace". His career from poor Sicilian immigrant to successful director stands for the American dream and brings him surprisingly close to his characters. But what in his depictions of America and its everyday heroes is reality, and where does the dream begin?

The owner of a gambling hall is entrusted with the care of a pretty young girl. He falls in love with her, but he must decide whether to let her go to his best friend, with whom he believes her to be in love, or to try to win her for himself.

Career overview of Hollywood legend Frank Capra by Time magazine film critic Richard Schickel.

A visit to Buck Jones's new ranch and his horse, Silver, to James Gleason and his dog, to Charles Ruggles and his kennels; on the set of 'You Can't Take it With You', director Frank Capra and stars James Stewart and Jean Arthur celebrate Lionel Barrymore's sixtieth birthday; a ski meet is held at the Los Angeles Coliseum.

Out-takes (mostly from Warner Bros.), promotional shorts, movie premieres, public service pleas, wardrobe tests, documentary material, and archival footage make up this star-studded voyeuristic look at the Golden age of Hollywood during the 30s, 40, and 50.

Tells the story of how Frank Capra, a young and penniless immigrant, rose through the ranks of early Hollywood to become one of the Great American storytellers.

For the USA, World War 2 was an all-out war - to mobilize the masses, the US government launched a huge propaganda campaign and cinema, the medium of the masses, was quite simply their most important weapon. Government authorities monitored the production of feature films and the military itself produced documentaries aimed at rallying the American people to support the troops. This film tells the story of four Hollywood directors of European origin, who returned to the "Old World" during the Second World War to make propaganda documentaries for the US Army at the front: William Wyler from Alsace, Frank Capra from Italy, Anatole Litvak from Ukraine and - in post-war Germany - Billy Wilder from Austria.

A documentary short film depicting the work of the motion picture director. An anonymous director is shown preparing the various aspects of a film for production, meeting with the writer and producer, approving wardrobe and set design, rehearsing scenes with the actors and camera crew, shooting the scenes, watching dailies, working with the editor and composer, and attending the first preview. Then a number of real directors are shown in archive footage (as well as a predominance of staged 'archive' footage) working with actors and crew.