Ronald, an eight year-old biracial boy, sees his life turning upside down after witnessing the brutal murder of his mother by his father. Often moved from one foster home to the next, Ronald is recruited by a street gang where he dwells in a life of crime and violence. As he waits for his father to be released to avenge his mother, he realizes that he doesn't have to follow his father's footsteps or the path chosen for him. Against all odds, he takes control of his own destiny. His awakening to new humane values enables him to change change course despite the obvious risk of losing the only family he has ever known.

Rosalie's door closes roughly. Her boyfriend Jimmy, a street musician, has just decided to break up with her. For an hour and a half, Rosalie will go through all kind of moods and sink into a destructive madness, while recalling the memorable moments of her story. The film is a deconstruction of the romantic comedy genre and its way of portraying love.

Investigating slavery in Canada through the story of Marie-Josèphe Angélique, a Black slave accused of burning Montreal in 1734. After an epic trial, this untameable slave is tortured and sentenced to death. But was she really guilty of this crime or was she the victim of a bigger conspiracy? Why this voluntary amnesia about this unknown page of Canadian history?

George Édouard is a janitor at the Montréal Polytechnique. The only other person he meets at night is a PhD student in physics, Audrey. They often meet to talk about music and science. One day George Édouard sees the return of his long-lost brother, René. The latter attended an exorcism. A ghost of the earthquake in Haiti has haunted him since.

Banished and then forgotten, the canceled are reappearing. Marie-France Bazzo conducts a clear-eyed investigation into this return: what does it reveal about our relationship to forgiveness, justice, and forgetting? Was it a necessary evil? How do we cancel… and reintegrate?