An African refugee's quiet existence in a sleepy mountain town in the south of France is upended by the arrival of a charismatic Catholic priest, whom she recognizes as the warlord who slaughtered her family.

In the 18th century, in the palace of Pasha Selim, in a purely imaginary Turkey. Belmonte, a young Spanish nobleman, is searching for his fiancée, Constance, who has been captured by pirates and sold to Pasha Selim. Blonde, Constance’s English maid, and her lover Pedrillo, Belmonte’s servant, have suffered the same fate and are at the mercy of the cruel Osmin, the seraglio’s guardian. Belmonte and Pedrillo devise a plan to rescue Constance, who is determined to die rather than succumb to the advances of Pasha Selim, who is eager to win the heart of his beautiful captive. ‘The Abduction from the Seraglio’ (‘Die Entführung aus dem Serail’ K.384) is a three-act singspiel by Wolfgang Amadeus Mozart, with a German libretto by Gottlieb Stephanie, based on the play by Christoph Friedrich Bretzner. It premiered at the Burgtheater in Vienna on 16 July 1782, conducted by the composer. Recorded live at Glyndebourne Festival, July 19, 2015.

While desperately trying to finish his movie, a young filmmaker must face the imminent death of his father.

Phil and Barney, two not-so-smart henchmen of a Mafia organization, stumble across a mysterious box full of money while burying a corpse in the woods. Their night turns to chaos when they decide to spend lavishly this unexpected fortune.

A meeting of media, director, and artist, Nos coeurs sur la main is a musical adventure following Ino Casablanca. The project captures a day-long performance blurring the lines between music and fiction, retracing the live recording of a discography in perpetual motion, all within a race against time orchestrated by a peculiar producer, Franck. Across over an hour of music, director Toxine fictionalizes Ino Casablanca's repertoire while upholding the rapper's core values: playing from the heart, unity, and sharing. It serves as a powerful reminder that every musical journey is, at its core, a collective one.

In the 18th century, in the palace of Pasha Selim, in a purely imaginary Turkey. Belmonte, a young Spanish nobleman, is searching for his fiancée, Constance, who has been captured by pirates and sold to Pasha Selim. Blonde, Constance’s English maid, and her lover Pedrillo, Belmonte’s servant, have suffered the same fate and are at the mercy of the cruel Osmin, the seraglio’s guardian. Belmonte and Pedrillo devise a plan to rescue Constance, who is determined to die rather than succumb to the advances of Pasha Selim, who is eager to win the heart of his beautiful captive. ‘The Abduction from the Seraglio’ (‘Die Entführung aus dem Serail’ K.384) is a three-act singspiel by Wolfgang Amadeus Mozart, with a German libretto by Gottlieb Stephanie, based on the play by Christoph Friedrich Bretzner. It premiered at the Burgtheater in Vienna on 16 July 1782, conducted by the composer. Recorded live at Glyndebourne Festival, July 19, 2015.