Because they could no longer stand the xenophobic comments and behavior of their neighbors, Véronique and Sylvain Marchand, parents of a little girl and members of the Stop Racism organization, went into exile in a quiet suburban town, where they bought a house, the villa "Mon rêve". Soon after, the Dialo family, friendly Africans, moved into the adjoining house. At first, the two families get along perfectly. The only problem was that the Dialos organized many parties, which often ended late at night. The patience and understanding of the Marchands only delay the inevitable conflict.

Fush and Ballestrat are the heads of each department of the French police. Both have the task of combating serious crime and cleaning up the underworld.

Bruno is released from prison. He looks for a job and tries to start a new life. His first stop is at his father's apartment.

An adolescent who fancies himself a sexy and conscientious young man abuses all his friends and family in a quest for his own independence.

Lydie, a physically unattractive young woman, is brutally dumped by her fiancé when she had just acquired the lease of an apartment to live with him.

The sequel of a successful French comedy "Rookies Run Amok" (1971) again with "Les Charlots" group.

Although based on a novel by Georges Simenon, director (and songwriter) Serge Gainsbourg has superimposed several dark emotions and a subtle brutality over the weak plot about a man's trip to Africa and his unfortunate passion for a murderess whose amorality sends the disillusioned fellow back to Europe. Sometimes described as frustrating and self-centered, reactions to this film swing across a broad spectrum of complaints -- not the least might be whether or not Gainsbourg is using a clichéd and stereotypical view of "dark Africa" to convey what he sees in his characters.

Three friends begin to work the rent collectors. Fee collection goes with a lot of comic episodes...

A long parade of actors and actresses pop up in an unconnected series of skits, vignettes, and sight gags in this comedy anthology by Jean Curtelin. Among the sketches performed is one with Jean Carmet playing a man from the sticks woefully burdened with the challenge of getting through a dog food commercial on less than one tank of intelligible French. Another skit shows a silent duel between an airport custodian and an automatic door, while another with the renowned Michel Galabru sets up a strange teacher-student exchange.

Marc Elbichon, a novice private sleuth, is investigating a wave of assassinations bearing a particular characteristic: the perpetrator, dubbed the "telephone killer" always strangles his female victims with a telephone cord.