
Acting
From Wikipedia, the free encyclopedia. Francis Lederer (November 6, 1899 – May 25, 2000) was a Czech-born film and stage actor with a successful career, first in Europe, then in the United States. His original name was František Lederer. Lederer's first American movies were Man of Two Worlds (1934), Romance in Manhattan (1934), with Ginger Rogers, The Gay Deception (1935), with Frances Dee, and One Rainy Afternoon (1936). He was cast as the lead with Katharine Hepburn in the 1935 film Break of Hearts, but the producers replaced him with Charles Boyer. It was Irving Thalberg's plan to make Lederer "the biggest star in Hollywood" but the death of Thalberg ended this possibility. Although he continued to play leads occasionally – notably when he was a playboy in Mitchell Leisen's Midnight with Claudette Colbert and John Barrymore in 1939 – in the late 1930s Lederer began to expand his character parts, even playing villains. Edward G. Robinson praised Lederer's performance as a German American Bundist in Confessions of a Nazi Spy in 1939, and he earned plaudits for his portrayal of a fascist in The Man I Married (1940) with Joan Bennett. He also played Count Dracula for The Return of Dracula in 1958. Throughout his career, Lederer, who studied with Elia Kazan at the Actors Studio in New York City, continued to take stage acting seriously, and he performed often both in New York and elsewhere. He appeared in stage productions of Golden Boy (1937), Seventh Heaven (1939), No Time for Comedy (1939), in which he replaced Laurence Olivier, The Play's the Thing (1942), A Doll's House (1944), Arms and the Man (1950), The Sleeping Prince (1956) and The Diary of Anne Frank (1958). Although he took a break from making films in 1941, in order to concentrate on his stage work, he returned to the silver screen in 1944, appearing in Voice in the Wind and The Bridge of San Luis Rey, and in films such as Jean Renoir's The Diary of a Chambermaid (1946) and Million Dollar Weekend (1948). He took another break from Hollywood in 1950, after making Surrender (1950), and returned in 1956 with Lisbon and the light comedy The Ambassador's Daughter. His final film appearance was in Terror Is a Man in 1959. During the 1950s, he served as honorary mayor of Canoga Park. He would continue to make television appearances for the next 10 years in such shows as Sally, The Untouchables, Ben Casey, Blue Light, Mission: Impossible and That Girl. His final television appearance occurred in a 1971 episode of Rod Serling's Night Gallery called "The Devil Is Not Mocked". In it, he reprised his role as Dracula from The Return of Dracula.

The rise and inevitable fall of an amoral but naive young woman whose insouciant eroticism inspires lust and violence in those around her.

An unemployed American showgirl poses as Hungarian royalty to infiltrate Parisian high society.

Susanne Braun is keen to meet her father who she has never seen, but who supports her financially. She visits the Berlin lawyer who oversees the monthly maintenance payments, but he sets her on completely the wrong track. Consequently she encounters several potential fathers.

Former concert pianist, victim of Nazi torture, pursues a confused, melancholic existence on the island of Guadalupe.

This drama is an updated version of Ulmer's 1944 film Bluebeard. It is set in New York and follows the exploits of an eccentric Parisian painter who has come to New York to escape a controversy surrounding his work. The trouble stems when the model he has used in all his work is found floating dead in the Seine.

A jealous musician kills his wife and frames a cab driver.

A stock broker embezzles a million bucks and plans to take off to Shanghai. A number of obstacles stands in his path, however.

Celestine, the chamber-maid, has a new job in the country, at the Lanlaires. She has decided to use her beauty to seduce a wealthy man, but Mr. Lanlaire is not a right choice: the house is firmly controlled by Madame Lanlaire, helped by the strange valet Joseph. Then she tries the neighbour, former officer Mauger. This seems to work. But soon the son of the Lanlaires comes back. He is young, attractive and does not share his mother's antirepublican opinions. So Celestine's beauty attracts Captain Mauger, young Georges Lanlaire, and Joseph. Three men, from three different social classes, with three different conceptions of life. Will Celestine be able to convince Georges of her sincerity?

This film essay explores the strange case of G.W. Pabst, the Austrian filmmaker who was considered a giant of early cinema before his reputation went behind a cloud.

After a vampire leaves his native Balkans, he murders a Czech artist, assumes his identity, and moves in with the dead man's American cousins.


