Marta and her daughter Nina move to Malanotte, a small mountain village. The little girl has been suffering from hypnagogic paralysis for some time, a sleep disorder which can lead to hallucinatory states, and Marta thought that a bit of mountain air and distance from the frenetic rhythm of city life might benefit the little girl. However, the house they move into is anything but welcoming, and children are never seen playing in the streets of Malanotte. Nina’s symptoms begin to worsen from the very first night in the new house, and the little girl has more and more vivid nightmares in which a ghostly figure sits on her chest, immobilises her and steals her breath. For Marta, a single mother in a place she finds increasingly sinister, it will become harder every day to know what is best for her child.

It’s 1965 and Lia, a spirited young woman living in a small Sicilian town, is initially attracted to Lorenzo, the son of the most prominent (and possibly Mafia-tied) local family. His possessiveness eventually repels her. But soon after, he appears with his cronies to kidnap, rape and force her into a shotgun marriage, all with the collusion of the town’s authorities. Lia and her family refuse to accept this barbaric ‘tradition’ and, despite the constant intimidation and violence, they take their fight for Lia’s rights to court.

Camilla is a successful attorney in her forties who accidentally causes the death of an undocumented migrant. At first, she is only interested in exonerating herself, but soon a feeling of responsibility starts nagging her: the dead body of a young man is lying in the morgue because their destinies fatally crossed. Camilla is used to shielding herself from pain, and she is incapable of really caring, even for her own daughter. In the midst of discovering the victim’s identity, she meets Bruno, the head of the morgue, who seems to be the only one who can truly understand her. The investigation she pursues will take her far from her surroundings until she will be forced to question herself, her unresolved past, and the life she really wants to live.

It follows Gaia, who works in a funeral home and one day something unexpected happens.

Annabì has a fear of flying, which holds back her life and acting career. When her daughter decides to study abroad, Annabì sets out to conquer her fear by taking a course designed specifically for those who are afraid of flying.

When a man and a girl get stuck in the elevator of the hotel where they are staying, doubt arises in the young girl's boyfriend and the man's wife that something happened between the two in the time they spent in there. But in couples, living different stages of life, the suspicion of betrayal generates opposite reactions, triggering increasingly dangerous dynamics.

Ambitious magistrate Vittoria (Valeria Solarino) makes the dramatic decision to relocate from the north to the south of Italy with one mission in mind – to defeat the Calabrian ‘‘Ndrangheta’ mafia. She is flabbergasted by the violence, the cruelty and the killings that Mafia men project – even youngsters are not spared. But instead of targeting the men, Vittoria tries a new approach; an appeal to the women involved in these circles. The bosses’ wives are as hard as nails; they will not talk and will not betray their powerful husbands, but could it be they have a soft spot for their own children?

Ferro and Cate, two kids trying to get to grips with an unplanned pregnancy, their families (rebellious Ferro’s hospitable, ‘normal’ family, and level-headed Cate’s unhinged, atypical one), exams at school, friends and a general lack of jobs.

In a dystopian present/future, women have become extinct. It is a world of male hunters, where even the memory of the femicide they committed is punished. The three male protagonists are locked up in a closed space because they are infected by the memory. It is poetic justice.