During the Covid-19 lockdown, a film crew is shooting an adaptation of Camus' La Peste. Reality and fiction start to blur between each other.

Sergio driving a taxi in a white Naples overflowing sadness and garbage. Pouring rain leads her clients through the city trying to process the death of his brother, who started ten years earlier for Tibet and never returned. A pop singer, a recycler of fragments of life, a radio announcer, an old uncle, alternate seats on its bearing, each in its own way, a trace of his brother loved. Stubborn not to go over and get lost in an endless race, Sergio is overwhelmed by memories and the music produced in pairs with Alfredo, which in Buddhism and in its foundations had found the strength to cope with the disease. Those notes that he believed buried and laid to always return overbearing and demanding a soundboard that resonate and express his being sound. Putting his hand on the piano, Sergio Alfredo feel again, giving the past with the present and realizing itself in the feeling.

Parthenope, born in the sea near Naples in 1950, is beautiful, enigmatic, and intelligent. She is shamelessly courted by many. However, beauty comes at a cost.

Cenerentola struggles to escape the shadow and evil schemes of her stepmother and six stepsisters who all live aboard the Megaride, a ship stuck in the port of a decaying future Naples.

The plan of a rich criminal to avoid a trial by expatriating involves many characters.

Carmela is thirty, beautiful and as untamed as an horsewoman. She is jobless and struggles to get by on her own, doing small day-to-day tasks. She makes ends meet by making use of the immigrants who populate the maze of alleyways of Naples' old historic centre. A circle of hell where, even to get a residence permit, you have to pay to work