It is fruit-picking season in the plain and pickers come from all over and live in a camp for several weeks. Among the many pretty girls are Kissa, a natural vamp who delights in exciting men; Margo who is hard and tough, and Josine who is tender and romantic. They work in a feverish atmosphere and inflamed by the summer heat, youthful passions run riot, and the girls' sensual behavior cause rivalry among the men. Lorry driver Armand applies the same degree of ardor to his love-making as to his work, and his biggest rival is the boss' son, Berto, a strutting rooster who is very proud of his American car. After work each day, Kissa queens it in the cabaret on shore, and derives great pleasure in arousing jealousy between the men.

In Spain, criminals steal a large stock of watermarked paper for banknotes. In France, they hire Besnard, a specialist in counterfeit money, to do the printing. But after printing the clichés, Besnard is wounded by gangsters, and a journalist gets involved and steals the famous clichés.

Complications abound in this French film, which tells the story of a filmmaker who is attempting to put his real life into a movie; his interactions with the people in the movie he is filming create reverberations in his "real" life, although the past remains unchanged. Among the complications is his growing regard for the woman who plays his cinematic wife. She may wind up replacing his actual wife in real life. One of the highlights of this film is the insight it gives into the actual mechanics of filmmaking.

Jean Brevent still did not understand the departure of his wife, Danielle Darieux. It's been five years, but he still can't forget her. In spite of a work of writer originator in a newspaper, in which it tried to be invested completely, time did not make its work. One day, by chance, he meets her in the bus...