Au revoir les enfants tells a heartbreaking story of friendship and devastating loss concerning two boys living in Nazi-occupied France. At a provincial Catholic boarding school, the precocious youths enjoy true camaraderie—until a secret is revealed. Based on events from writer-director Malle’s own childhood, the film is a subtle, precisely observed tale of courage, cowardice, and tragic awakening.

After the death of his mother, fortysomething introvert Mathieu enters into a second relationship with his high-school girlfriend, Maya.

A soulful examination of two defeated middle-aged characters who aren't sure that life holds the possibility of a second act.

This drama depicts the misery of neglected children in big cities. 13 years old Bruno is of a good family, but since the death of his grandmother he spends most of his time alone, in a phantasy world, while his mother is away at work. But then he befriends the violent Jean-Roger, who's from a severely disturbed family, where nobody cares what he's doing. In school Jean-Roger drives their teacher into despair just for fun. To separate the two boys, she starts to stimulate Bruno's interests by giving him extra lessons. When Jean-Roger fears loosing his one and only friend, he becomes even more aggressive.

During the First World War, Camille (Sylvie Testud), a young woman whose husband is away fighting at the front, receives a short letter of break-up from him. Distraught, she decides to go to join him, but is driven back by the rule of the time which forbids women to move around alone. She has no other recourse than to dress herself up as a man so as to be able to take to the road on foot. As she lives near the Western Fromt she hooks up with a passing group of French soldiers without too much trouble. But there's something a bit odd about these stragglers, and it's not just their habit of bursting into song at every opportunity.

Suzanne Simonin describes her life of suffering in letters. As a young woman she is sent to a convent against her will. Since her parents cannot afford the dowry required for a marriage befitting her rank they decide she must instead become a nun. Although a kind and understanding Mother Superior helps her to learn the convent’s daily routine, Suzanne’s desire for freedom remains unabated. When the Mother Superior dies, Suzanne finds herself faced with reprisals, humiliation and harassment at the hands of the new Abbess and the other Sisters. For many years, Suzanne is subjected to bigotry and religious fanaticism. (Berlinale.de)

Two policewomen from Internal Affairs arrive in a provincial precinct to investigate the death of an Algerian woman who was an informer. One punches, the other eyes, tip top.

The Italians have bocce ball, and the French have a similar game, boules. This is played (generally in the southern part of the country) with steel balls on a packed-earth court. While these games have a bucolic, countrified and even genteel air about them, competition and betting are fierce. In this sports/crime thriller, a young man whose father was killed for violating the unspoken roles of the game in professional competition trains with his grandfather to become a champion boules player just like his father.

While hiking in the countryside near a coastal town in Normandy, two young lovers have a spat and separate. The woman is run down by a ghostly Land Rover and disappears. Meanwhile, her beau comes to a big old house where he is taken in by an old and lonely man. It doesn't take long for the young man to realize that his host is wacko and terrified of dying and is willing to take extreme measures to prevent this from happening. Though billed as a thriller, director Michael Ferry chose to focus on the inner thoughts and fears of the protagonists rather than exciting action sequences. All of the violence occurs off screen.