Acting
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A poor French teenage girl engages in an illicit affair with a wealthy Chinese heir in 1920s Saigon. For the first time in her young life she has control, and she wields it deftly over her besotted lover throughout a series of clandestine meetings and torrid encounters.
Former student Raskolnikov is pushed to murder when struggling to pay the rent on his apartment. When the murder is being investigated by the police, Raskolnikov struggles between trying to hide his guilt and the pressure to confess. Part one of this epic adaption of the classic Russian novel.
In 1920, Major Dellaplane, a man of honor and ethics, searches for missing French soldiers. He meets Madame Irène de Courtil, a politically connected Parisian, and their paths cross.
Inside the Blue Note nightclub one night in 1959 Paris, an aged, ailing jazzman coaxes an eloquent wail from his tenor sax. Outside, a young Parisian too broke to buy a glass of wine strains to hear those notes. Soon they will form a friendship that sparks a final burst of genius.
George is a middle-aged man who lives with his disabled wife. He faces dire financial straits after an investment firm wipes out his life savings and forces him into early retirement. Consequently, he becomes increasingly disillusioned and desperate, which ultimately drives him to the brink of insanity.
This film is based on actual letters German soldiers sent home from the siege of Leningrad during World War II. The litany of trouble these poor grunts endured is lamentable. One complains of returning home an invalid. An SS man has bad dreams about the Russian tank-driver he killed. Another complains when he sits down to hear a piano recital and one of the musicians has frozen fingers. Another soldier swears he will never forgive his father for injuries he suffered in the invasion of Leningrad. Stock footage of wars from World War II to Vietnam are inserted and give an ironic tinge to the feature.
The film centers on a Dominican monk named Jérôme (played by one actor in colour and another actor in black-and-white) and his interactions with various higher-ups within the French Catholic Church. Ruiz's intention was to reflect the ideological arguments that plagued Latin American left-wing political parties.